The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница xii
... THIRD PERIOD ( from cir . 1600 to cir . 1750 ) 73 LECTURE IV . THE THIRD PERIOD ( continued ) · LECTURE V. THE FOURTH PERIOD ( from car . 1750 to the present time ) LECTURE VI . 99 • 137 THE FOURTH PERIOD ( continued ) · . . 169 LECTURE ...
... THIRD PERIOD ( from cir . 1600 to cir . 1750 ) 73 LECTURE IV . THE THIRD PERIOD ( continued ) · LECTURE V. THE FOURTH PERIOD ( from car . 1750 to the present time ) LECTURE VI . 99 • 137 THE FOURTH PERIOD ( continued ) · . . 169 LECTURE ...
Страница 8
... Third to about 1750. In the Fourth we are now living . These Periods may be thus described : —the First , as a period of preparation ; the Second , as that of the old tonality , and of ( to us ) the old masters ; the Fourth , as that of ...
... Third to about 1750. In the Fourth we are now living . These Periods may be thus described : —the First , as a period of preparation ; the Second , as that of the old tonality , and of ( to us ) the old masters ; the Fourth , as that of ...
Страница 11
... third hypothesis may be dismissed as inconsistent with all experience . The music of the early Church was no doubt simple ; it was certainly unaccompanied . The instruments available for ac- companiment were few . One of these , the ...
... third hypothesis may be dismissed as inconsistent with all experience . The music of the early Church was no doubt simple ; it was certainly unaccompanied . The instruments available for ac- companiment were few . One of these , the ...
Страница 14
... Fig . 1 . First Tone . Second Tone . Third Tone . Fourth Tone . The two tetrachords of the first tone are of like construction , the semitone in each falls between the 2nd and 3rd sounds . Ambrosian Music . 15 So in the second tone ,
... Fig . 1 . First Tone . Second Tone . Third Tone . Fourth Tone . The two tetrachords of the first tone are of like construction , the semitone in each falls between the 2nd and 3rd sounds . Ambrosian Music . 15 So in the second tone ,
Страница 15
... third tone pre- sents the anomaly - the " diabolus in musica " of the Middle Ages - of a " tritone , " or succession of three tones , occupying the place of the first tetrachord . The necessity for remedying this led early to the ...
... third tone pre- sents the anomaly - the " diabolus in musica " of the Middle Ages - of a " tritone , " or succession of three tones , occupying the place of the first tetrachord . The necessity for remedying this led early to the ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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