The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница 8
... sound the result of which is what we now call music , and to those attempts at representing sound to which we owe modern notation . No date can be safely assigned to the beginning of this First Period ; but it may be considered to have ...
... sound the result of which is what we now call music , and to those attempts at representing sound to which we owe modern notation . No date can be safely assigned to the beginning of this First Period ; but it may be considered to have ...
Страница 12
... sounds D , E , F , and G. It is possible that these modes had , in the minds of those who selected and formalized them , some mystic affinity with the four Evangelists . Tradition ascribes their choice , and even arrangement , to St ...
... sounds D , E , F , and G. It is possible that these modes had , in the minds of those who selected and formalized them , some mystic affinity with the four Evangelists . Tradition ascribes their choice , and even arrangement , to St ...
Страница 13
... sounds of our system , other than that in which all modern music is composed . I shall enter somewhat fully into this matter in another lecture . Conf . B. ix , s . 15 , 14 The Ambrosian Tones . Suffice it for the moment.
... sounds of our system , other than that in which all modern music is composed . I shall enter somewhat fully into this matter in another lecture . Conf . B. ix , s . 15 , 14 The Ambrosian Tones . Suffice it for the moment.
Страница 14
... sounds separated by two tones and one semitone ; it admits therefore of only three varieties , those afforded by the position of this one semitone . The Greek tetrachord , that in which the semitone occupies the lowest place , includes ...
... sounds separated by two tones and one semitone ; it admits therefore of only three varieties , those afforded by the position of this one semitone . The Greek tetrachord , that in which the semitone occupies the lowest place , includes ...
Страница 15
... sounds . In the fourth tone the semi- tone falls between the 3rd and 4th sounds of the first tetra- chord , and the 2nd and 3rd of the second . The third tone pre- sents the anomaly - the " diabolus in musica " of the Middle Ages - of a ...
... sounds . In the fourth tone the semi- tone falls between the 3rd and 4th sounds of the first tetra- chord , and the 2nd and 3rd of the second . The third tone pre- sents the anomaly - the " diabolus in musica " of the Middle Ages - of a ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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