The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница 7
... practice prevent its being absolutely true , is nearer the truth than any other ; and its inaccuracies are so slight as to cause little dis- turbance to the most refined ear . I mean by this that all our music is of necessity a little ...
... practice prevent its being absolutely true , is nearer the truth than any other ; and its inaccuracies are so slight as to cause little dis- turbance to the most refined ear . I mean by this that all our music is of necessity a little ...
Страница 25
... practice of solmisation by " hexachords , " or scales of six sounds only ; a practice , only abandoned in this century , which consists in the adoption for each successive note of the hexa- chord of a set of names which are universally ...
... practice of solmisation by " hexachords , " or scales of six sounds only ; a practice , only abandoned in this century , which consists in the adoption for each successive note of the hexa- chord of a set of names which are universally ...
Страница 30
... practice , and that art is always ahead of science , it seems as unreasonable to assume the existence of a period when all music was without time , as of a period when men did not walk or talk . Not to speak of the indisputable ...
... practice , and that art is always ahead of science , it seems as unreasonable to assume the existence of a period when all music was without time , as of a period when men did not walk or talk . Not to speak of the indisputable ...
Страница 45
... practice was first brought about in the Netherlands is certain . That some of the earliest results of it handed down to us should be in the form of Church music is , of course , consistent with the spirit of the age in which it was ...
... practice was first brought about in the Netherlands is certain . That some of the earliest results of it handed down to us should be in the form of Church music is , of course , consistent with the spirit of the age in which it was ...
Страница 60
... practice among them being universal of working on some frag- ment of known melody . The cramping influence of this practice needs no demonstra- tion , so far as art is concerned ; and abuses , the existence of which nothing but the most ...
... practice among them being universal of working on some frag- ment of known melody . The cramping influence of this practice needs no demonstra- tion , so far as art is concerned ; and abuses , the existence of which nothing but the most ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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