The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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A Course of Lectures Delivered at the Royal Institution of Great Britain John Hullah. MODERN MUSIC SCALAM HI ASCENDIVVS LAH STANFORD VNIVERSITY LIBRARY. Front Cover.
A Course of Lectures Delivered at the Royal Institution of Great Britain John Hullah. MODERN MUSIC SCALAM HI ASCENDIVVS LAH STANFORD VNIVERSITY LIBRARY. Front Cover.
Страница ii
A Course of Lectures Delivered at the Royal Institution of Great Britain John Hullah. #T THE HISTORY OF MODERN MUSIC . A Course of Lectures.
A Course of Lectures Delivered at the Royal Institution of Great Britain John Hullah. #T THE HISTORY OF MODERN MUSIC . A Course of Lectures.
Страница iii
... MODERN MUSIC . A Course of Lectures DELIVERED AT THE ROYAL INSTITUTION OF GREAT BRITAIN . BY JOHN HULLAH , LL.D. " In non posso ritrar di tutti appieno , Perocchè si mi caccia il lungo tema , Che molte volte al fatto il dir vien meno ...
... MODERN MUSIC . A Course of Lectures DELIVERED AT THE ROYAL INSTITUTION OF GREAT BRITAIN . BY JOHN HULLAH , LL.D. " In non posso ritrar di tutti appieno , Perocchè si mi caccia il lungo tema , Che molte volte al fatto il dir vien meno ...
Страница vii
... Modern Music which accompanied or followed the Renaissance ; and to show how far this change differed , in kind and in extent , from that produced on the Sister Arts by the same agency . I do not think that this can be said to have been ...
... Modern Music which accompanied or followed the Renaissance ; and to show how far this change differed , in kind and in extent , from that produced on the Sister Arts by the same agency . I do not think that this can be said to have been ...
Страница ix
... Modern Music knows but two Periods - that ending with the epoch of Palestrina , and that in which we live ; but the long years of preparation for the former , and of transition from it to the latter , demanded places which could not ...
... Modern Music knows but two Periods - that ending with the epoch of Palestrina , and that in which we live ; but the long years of preparation for the former , and of transition from it to the latter , demanded places which could not ...
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Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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