The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница vii
... lower in public estimation such composers as have attained , and still maintain , the greatest favour , I cannot but think that the attention which they continue exclusively to * 1862 . viii Preface . receive might , with no detriment to.
... lower in public estimation such composers as have attained , and still maintain , the greatest favour , I cannot but think that the attention which they continue exclusively to * 1862 . viii Preface . receive might , with no detriment to.
Страница viii
... greatest men . The pursuit of the former and more important of the two objects of these Lectures was manifestly inconsistent with much mere biographical detail . It might have been possible , even within the time and space at my ...
... greatest men . The pursuit of the former and more important of the two objects of these Lectures was manifestly inconsistent with much mere biographical detail . It might have been possible , even within the time and space at my ...
Страница 4
... greatest influence on the progress of the art whose culture is the business of their own lives . If in this particular musicians present an exception to all other contemporary artists their condition may be accounted for , if not ...
... greatest influence on the progress of the art whose culture is the business of their own lives . If in this particular musicians present an exception to all other contemporary artists their condition may be accounted for , if not ...
Страница 6
... greatest number of tunes by heart . M. Villoteau , who proposed to collect all the national melodies he could find , set to work to write , under the dictation of his instructor ; and observing , while he wrote , that the intonation of ...
... greatest number of tunes by heart . M. Villoteau , who proposed to collect all the national melodies he could find , set to work to write , under the dictation of his instructor ; and observing , while he wrote , that the intonation of ...
Страница 23
... greatest musical name of the early Middle Ages , that of Guido Aretino or Guy of Arezzo , of whom we hear first , early in the eleventh century , as resident in the Bene- dictine monastery of Pomposa , between Ferrara and Ravenna . To ...
... greatest musical name of the early Middle Ages , that of Guido Aretino or Guy of Arezzo , of whom we hear first , early in the eleventh century , as resident in the Bene- dictine monastery of Pomposa , between Ferrara and Ravenna . To ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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