The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница vii
... difficult of access , and not always very satisfactory when reached . ( 2 ) In connexion with this I have tried to awaken some interest and curiosity among my hearers ( or readers ) , in what may be briefly described as " unknown music ...
... difficult of access , and not always very satisfactory when reached . ( 2 ) In connexion with this I have tried to awaken some interest and curiosity among my hearers ( or readers ) , in what may be briefly described as " unknown music ...
Страница viii
... difficult to awaken public sympathy with an unknown composer , be he old or new , than to find an audience for an unknown composition , be its author never so well known or so popular . Should the English musical public ever break ...
... difficult to awaken public sympathy with an unknown composer , be he old or new , than to find an audience for an unknown composition , be its author never so well known or so popular . Should the English musical public ever break ...
Страница 7
... difficult for him to seize or appreciate Arabian melody as to execute it . " * I shall have occasion , in another lecture , to allude to the various modes , or forms of scale , used in the fifteenth and six- teenth centuries . It is ...
... difficult for him to seize or appreciate Arabian melody as to execute it . " * I shall have occasion , in another lecture , to allude to the various modes , or forms of scale , used in the fifteenth and six- teenth centuries . It is ...
Страница 10
... difficult if not impossible to recover . After the Captivity , too , the Jews became more like other people in ... difficulty even surmounted , and proof afforded that Jewish melodies were known to and used by the Apostles , how could ...
... difficult if not impossible to recover . After the Captivity , too , the Jews became more like other people in ... difficulty even surmounted , and proof afforded that Jewish melodies were known to and used by the Apostles , how could ...
Страница 13
... difficulty we all have in imagin- ing a musical " system " other than that to which we are used . Similar difficulty , though in a less degree , is felt in respect to any " tonality , " or arrangement of the sounds of our system , other ...
... difficulty we all have in imagin- ing a musical " system " other than that to which we are used . Similar difficulty , though in a less degree , is felt in respect to any " tonality , " or arrangement of the sounds of our system , other ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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