The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница 3
... artists by whom those changes have been carried out . But , though possibly more entertaining , I do not think that such a course would have been so useful as that which I have decided on giving . A very little intercourse with society ...
... artists by whom those changes have been carried out . But , though possibly more entertaining , I do not think that such a course would have been so useful as that which I have decided on giving . A very little intercourse with society ...
Страница 4
... artists their condition may be accounted for , if not excused . Poetry , architecture , sculpture and painting have severally attained to excellence which there can be no reasonable hope of surpassing , at one or more periods ...
... artists their condition may be accounted for , if not excused . Poetry , architecture , sculpture and painting have severally attained to excellence which there can be no reasonable hope of surpassing , at one or more periods ...
Страница 6
... artist who knows the greatest number of tunes by heart . M. Villoteau , who proposed to collect all the national melodies he could find , set to work to write , under the dictation of his instructor ; and observing , while he wrote ...
... artist who knows the greatest number of tunes by heart . M. Villoteau , who proposed to collect all the national melodies he could find , set to work to write , under the dictation of his instructor ; and observing , while he wrote ...
Страница 36
... artists of the thirteenth and fourteenth centuries , no musical inventor or reformer to be compared with Ambrose , Gregory , Hucbald , Guido , or Franco appeared till the opening of the second period - the consideration of which we must ...
... artists of the thirteenth and fourteenth centuries , no musical inventor or reformer to be compared with Ambrose , Gregory , Hucbald , Guido , or Franco appeared till the opening of the second period - the consideration of which we must ...
Страница 60
... artist's feeling . The grandeur of this music would seem to be that of the tubular bridge rather than of the pointed church ; and our sensations on hearing it would probably be more nearly akin to those derived from working out a ...
... artist's feeling . The grandeur of this music would seem to be that of the tubular bridge rather than of the pointed church ; and our sensations on hearing it would probably be more nearly akin to those derived from working out a ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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