The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница viii
... popular . Should the English musical public ever break through the wall with which it has allowed apathy and prejudice to " protect " it from " the fresh woods and pastures new " which lie untrodden on its outer side , assuredly a ...
... popular . Should the English musical public ever break through the wall with which it has allowed apathy and prejudice to " protect " it from " the fresh woods and pastures new " which lie untrodden on its outer side , assuredly a ...
Страница 16
... popularity , for his purpose . Never was reform carried out in a bolder and at the same time more reverential spirit . Gregory did not destroy but add to the work of Ambrose ; connecting with his four scales , which were then first ...
... popularity , for his purpose . Never was reform carried out in a bolder and at the same time more reverential spirit . Gregory did not destroy but add to the work of Ambrose ; connecting with his four scales , which were then first ...
Страница 30
... for specimens of it alike numerous and interesting . But what is written remains ; unintelligible , misinterpreted * " Popular Music of the Older . Time . " London , 1855-59 . Secular Medieval Melody . 31 perhaps , for a time.
... for specimens of it alike numerous and interesting . But what is written remains ; unintelligible , misinterpreted * " Popular Music of the Older . Time . " London , 1855-59 . Secular Medieval Melody . 31 perhaps , for a time.
Страница 46
... popular and poetical , in contradistinction to the scholastic , view of music ; and that there were in the fourteenth century , as in the nineteenth , people with a pardonable weakness for melody or tune , and very indifferent to music ...
... popular and poetical , in contradistinction to the scholastic , view of music ; and that there were in the fourteenth century , as in the nineteenth , people with a pardonable weakness for melody or tune , and very indifferent to music ...
Страница 51
... small benefice that had been promised him by his royal master . In his distress he applied to a courtier whom he had formerly known in Italy , who always replied to him in the same words ; 52 Popularity of Josquin . " Lascia fare mi ,
... small benefice that had been promised him by his royal master . In his distress he applied to a courtier whom he had formerly known in Italy , who always replied to him in the same words ; 52 Popularity of Josquin . " Lascia fare mi ,
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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