The History of Modern Music: A Course of Lectures Delivered at the Royal Institution of Great BritainLongmans, Green, 1896 - 210 страници |
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Страница 37
... ORATORIO - FILIPPO NERI AND GIOVANNI ANIMUCCIA - CLAUDE GOUDIMEL - PALESTRINA - CHURCH MUSIC BEFORE PALESTRINA - THE CELLI " -ROLAND DE 66 MISSA PAPE MAR- LATTRE - THE MADRIGAL - EX- TENSIVE CULTIVATION OF MUSIC AT THE END OF THE ...
... ORATORIO - FILIPPO NERI AND GIOVANNI ANIMUCCIA - CLAUDE GOUDIMEL - PALESTRINA - CHURCH MUSIC BEFORE PALESTRINA - THE CELLI " -ROLAND DE 66 MISSA PAPE MAR- LATTRE - THE MADRIGAL - EX- TENSIVE CULTIVATION OF MUSIC AT THE END OF THE ...
Страница 55
... first of the sixteenth century , no regular music school was opened in Rome before the year 1540. Many Italians how- Only half a century after the invention of printing . 56 Oratorio . ever had already profited , directly or.
... first of the sixteenth century , no regular music school was opened in Rome before the year 1540. Many Italians how- Only half a century after the invention of printing . 56 Oratorio . ever had already profited , directly or.
Страница 56
... Oratorio , " that noblest form of musical art which , strangely enough , seeing its origin , owes its development almost exclusively to Protestant genius . Crescembini * tells us : - " The Oratorio , a poetical composition formerly a ...
... Oratorio , " that noblest form of musical art which , strangely enough , seeing its origin , owes its development almost exclusively to Protestant genius . Crescembini * tells us : - " The Oratorio , a poetical composition formerly a ...
Страница 98
... its origin , intention , and forms of expression , essentially pagan , the world might still have wanted the grandest of all productions of Christian art - the modern Oratorio . THE THIRD , OR TRANSITION , PERIOD ( Continued )
... its origin , intention , and forms of expression , essentially pagan , the world might still have wanted the grandest of all productions of Christian art - the modern Oratorio . THE THIRD , OR TRANSITION , PERIOD ( Continued )
Страница 105
... Oratorio . Among the many examples of this , the noblest form which modern art has taken , left by Carissimi , is his " Jephtha , " of which I gave a public performance , some years since , at St. Martin's Hall . The choruses in this ...
... Oratorio . Among the many examples of this , the noblest form which modern art has taken , left by Carissimi , is his " Jephtha , " of which I gave a public performance , some years since , at St. Martin's Hall . The choruses in this ...
Често срещани думи и фрази
Alessandro Scarlatti altogether ANDREW LANG artist Bach Beethoven Belgian Cabinet Edition career Carissimi Chapel Claude Goudimel CO.'S STANDARD composer composition connexion contemporaries Crown 8vo crwth drama E. A. FREEMAN early ENGLAND English epoch Essays Europe FOURTH PERIOD France French Gallo-Belgian genius German greatest Greek Haggard's H. R. Handel harmony Haydn Idomeneo Illus Illustrations invention Italian Italy J. S. Bach John John Sebastian Bach Josquin kind last century latter Lectures LL.D LONGMANS & CO.'S Luca Marenzio Lully M.A. Crown 8vo Maps masters melody Memoirs MESSRS modern music modes Monteverde Mozart musical art musical history musical science musician never notes opera Oratorio orchestra original Palestrina Paris Pelham Humphrey performance perhaps pianoforte plagal Poems Political practice present pupil Rome scale Scarlatti Second Period secular singers sixteenth century songs sounds strings success symphony tetrachord tion tonality trations Trouvère vocal vols words
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