Shakespeare's Styles: Essays in Honour of Kenneth MuirCambridge University Press, 16.12.2004 г. - 256 страници Although Shakespeare is acknowledged to be one of the greatest masters of language the world has known, there are very few books among the thousands devoted to his work which attempt to deal directly with how he uses language. No single book could deal with the 'infinite variety' of tone, diction, imagery, rhythm, and so on which together make up Shakespeare's different styles. But the editors of this book asked a number of distinguished Shakespearian scholars to give an account of what seemed to him or her some particularly interesting and important feature of Shakespeare's use of language. Using a quotation from Shakespeare as a starting point, some authors have focussed their discussion on individual plays; others have ranged more widely under general headings, such as bombast, rhetoric or paradox. The cumulative effect will enable readers, students and theatre-goers to come to a greater awareness of the richness and subtlety of 'Shakespeare's styles'. The three editors are senior Shakespeare critics and scholars and they have all been close associates of Professor Kenneth Muir. It was to honour the life-long devotion of Kenneth Muir to the study of Shakespeare, and to pay a tribute to the inspiration and help which he has given to those who have worked with him, that his new book was devised. |
Между кориците на книгата
Резултати 1 - 5 от 17.
Страница 11
За съжаление достъпът до съдържанието на тази страница е ограничен..
За съжаление достъпът до съдържанието на тази страница е ограничен..
Страница 14
За съжаление достъпът до съдържанието на тази страница е ограничен..
За съжаление достъпът до съдържанието на тази страница е ограничен..
Страница 20
За съжаление достъпът до съдържанието на тази страница е ограничен..
За съжаление достъпът до съдържанието на тази страница е ограничен..
Страница 21
За съжаление достъпът до съдържанието на тази страница е ограничен..
За съжаление достъпът до съдържанието на тази страница е ограничен..
Страница 33
За съжаление достъпът до съдържанието на тази страница е ограничен..
За съжаление достъпът до съдържанието на тази страница е ограничен..
Съдържание
Rhetoric and insincerity | 1 |
Poem and context in Loves Labours Lost | 25 |
The declaration of love | 39 |
Language most shows a man ? Language and speaker | 67 |
Antony and Cleopatra 11124 | 95 |
the language of recognition | 111 |
language and speaker in Shakespeares Last | 131 |
Shakespeares bombast | 151 |
The defence of paradox | 163 |
some offstage conversations in Shake | 183 |
Caliban as a Red | 205 |
a question of identity | 221 |
Checklist of writings by Kenneth Muir 19371979 | 241 |
Други издания - Преглед на всички
Често срещани думи и фрази
Antony and Cleopatra Arden audience Banquo Ben Jonson Berowne bombast Caesar Caliban character comedy context Cressida criticism crow Cymbeline Dark Lady dead death Dr Rowse dramatist edition effect Emilia Emilia Lanier essay expression Falstaff fool give Hamlet hath hear Henry Henry VI Hermione honour Iago Jonson Juliet Kenneth Muir King Lear Lady Macbeth language Last Plays Leontes lines literary live London look lord Love's Labour's Lost lovers Lysimachus Marina Marlowe Marlowe's meaning mind mistress murder nature never Nurse Nurse's Othello paradox passages Perdita Pericles Pericles's Philo plot poem poet poetic poetry Polixenes Prince prose Prospero question recognition rhetoric Richard Richard II Romeo scene seems sense Shake Shakespeare Shakespearian soliloquy Sonnets speak speaker speech spirits style stylistic suggest tell Tempest theatre thee things thou tragedy Troilus true truth Venus and Adonis verbal verse Winter's Tale wonder words