Themes and Variations in Shakespeare's SonnetsRoutledge, 15.04.2013 г. - 256 страници First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed. |
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Страница 11
... Dark Lady', or else, assuming, apparently, that because no recognisable sources have been produced, Shakespeare's Sonnets are in the most literal sense incomparable, they have omitted from their attempts at stylistic analysis many ...
... Dark Lady', or else, assuming, apparently, that because no recognisable sources have been produced, Shakespeare's Sonnets are in the most literal sense incomparable, they have omitted from their attempts at stylistic analysis many ...
Страница 17
... Dark Lady' has tended to discredit other attempts to identify the friend with Pembroke: the 'Dark Lady', who had broken her bed-vow (sonnet 152), was a married woman, and Mary Fitton was both unmarried and, unless the portrait at Arbury ...
... Dark Lady' has tended to discredit other attempts to identify the friend with Pembroke: the 'Dark Lady', who had broken her bed-vow (sonnet 152), was a married woman, and Mary Fitton was both unmarried and, unless the portrait at Arbury ...
Страница 18
... Dark Lady'. Indeed, Shakespeare may well have lost all interest in the 'Dark Lady' by the time he came to write many of the sonnets in the first series. If it was with her that the youthful Herbert began, he never, as one might say ...
... Dark Lady'. Indeed, Shakespeare may well have lost all interest in the 'Dark Lady' by the time he came to write many of the sonnets in the first series. If it was with her that the youthful Herbert began, he never, as one might say ...
Страница 21
... Dark Lady', which seems to have been soon forgiven, and may have been soon forgotten, but by his having, perhaps rather too often, allowed the difference in rank between them to become more of a barrier to genuine reciprocity than it ...
... Dark Lady', which seems to have been soon forgiven, and may have been soon forgotten, but by his having, perhaps rather too often, allowed the difference in rank between them to become more of a barrier to genuine reciprocity than it ...
Страница 43
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Съдържание
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II DEVOURING TIME AND FADING BEAUTY FROM THE GREEK ANTHOLOGY TO SHAKESPEARE | 92 |
III HYPERBOLE AND RELIGIOUSNESS IN SHAKESPEARES EXPRESSIONS OF HIS LOVE | 147 |
Firstline index of Sonnets quoted or mentioned | 233 |
General index | 239 |
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Често срещани думи и фрази
achieve Aeschylus allusion Amores amours ancient love-poetry Antony and Cleopatra appears beginning Bellay beloved called carpe florem celebrated Chaucer Christian comparable compensation Daniel Dark Lady death declares Defier despite distinction Donne Donne's doth Drayton edition elegy Elizabethan eternal example expression eyes fame flowers Greek Anthology hath heaven Herbert Horace Horace's Horatian hyperbole idea imitated ingrateful beauty inspired Kassner kind Laura lines love's lover Mary Fitton means memorable merely metaphor Michelangelo mistress Muses never odes Othello Ovid Ovid's partly passages perhaps periphrasis Petrarch Petrarch and Ronsard Petrarchan phrase Pindar Platonism poems poetry poets possible professes Propertius Puttenham quoted recognised regarded religious Renaissance Renaissance poets Ronsard seems sense Shakespeare Shakespeare's sonnets sonnet 74 sonnets written soul Spenser spirit stanzas style suggested sweet Tasso thee theme things thou Tibullus Time's topic tragedies transience true verse Vittoria Colonna word writing written during absence youth