 | Samuel Johnson, John Hawkins - 1787 - 442 страници
...powers over the imagination ? To this power the painter of genius directs him ; in this fenfe he ftudies nature, and often arrives at his end, even by being unnatural in the confined fenie of the word. The grand ftyle of painting requires this minute attention to be carefully avoided,... | |
 | sir Joshua Reynolds - 1801 - 450 страници
...over the imagination ? To this power the Painter of genius directs his aim; in this sense he studies Nature, and often arrives at his end, even by being unnatural, in the confined sense of the word. The grand style of Painting requires this minute attention to be carefully avoided,... | |
 | Alexander Chalmers - 1802 - 210 страници
...over the imagination? To this power the painter of genius directs his aim; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word. • The grand style of painting requires this minute attention to he carefully avoided,... | |
 | 1803 - 222 страници
...powers over the imagination ? To this power the painter of genius directs him ; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word. The grand style of painting requires this minute attention to be carefully avoided,... | |
 | Alexander Chalmers - 1808 - 464 страници
...over the imagination? To this power the painter of genius directs his aim; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word. The grand style of painting requires this minute attention to be carefully avoided,... | |
 | Alexander Chalmers - 1808 - 410 страници
...over the imagination ? To this power the painter of genius directs his aim; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word. If my opinion was asked concerning the works of Michael Angela, whether they would... | |
 | Sir Joshua Reynolds - 1809 - 442 страници
...over the imagination? To this power the Painter of genius directs his aim; in this sense he studies Nature, and often arrives at his end, even by being unnatural, in the confined dense of the word. The grand style of Painting requires this minute attention to be carefully avoided,... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 468 страници
...over the imagination? To this power the Painter of genius directs his aim; in this sense he studies Nature, and often arrives at his end, even by being unnatural, in the confined sense of the word. The grand style of Painting requires this minute attention to be carefully avoided,... | |
 | Samuel Johnson - 1811 - 386 страници
...powers over the imagination ? To this power the painter of genius directs him ; in this sense he studies nature, and often arrives at his end, even by being unnatural in the confined sense of the word. The grand style of painting requires this minute attention to be carefully avoided,... | |
 | sir Joshua Reynolds - 1819 - 440 страници
...over the imagination ? To this power the Painter of genius directs his aim ; in this sense he studies Nature, and often arrives at his end, even by being unnatural, in the confined sense of the word. • The grand style of Painting requires this minute attention to be carefully avoided,... | |
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nature, and often arrives at his end, even by being unnatural in the confined fenfe of the word. The grand ftyle of painting requires this minute attention to be carefully avoided, and muft be kept as feparate from it as the ftyle of poetry from that... 
