RBPH, Том 83, Част 4Fondation universitaire, 2005 |
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Страница 1322
... Huelsenbeck in the history of literary modernism : the debate between Tzara and Huelsenbeck on the origin of the word " Dada " . As is well known , both Huelsenbeck ( in Berlin ) and Tzara ( in Paris ) claimed to have come up with it ...
... Huelsenbeck in the history of literary modernism : the debate between Tzara and Huelsenbeck on the origin of the word " Dada " . As is well known , both Huelsenbeck ( in Berlin ) and Tzara ( in Paris ) claimed to have come up with it ...
Страница 1325
... Huelsenbeck , it seems , experienced difficulty in deciding which aesthetic features made his novella Dada , and what set it apart from Expres- sionism , other than its more deterministic worldview . The novella's plot , for example ...
... Huelsenbeck , it seems , experienced difficulty in deciding which aesthetic features made his novella Dada , and what set it apart from Expres- sionism , other than its more deterministic worldview . The novella's plot , for example ...
Страница 1331
... Huelsenbeck loved to improvise stands beyond doubt . When in 1967 , Aspen Magazine asked him to recite a few poems from his Phantastische Gebete for a recording , Huelsenbeck read the poem " Chorus Sanctus " from the collection . The ...
... Huelsenbeck loved to improvise stands beyond doubt . When in 1967 , Aspen Magazine asked him to recite a few poems from his Phantastische Gebete for a recording , Huelsenbeck read the poem " Chorus Sanctus " from the collection . The ...
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