Modernizing Joan of Arc: Conceptions, Costumes, and CanonizationMcFarland, Incorporated, Publishers, 2008 - 199 страници Historical opinions regarding Joan of Arc are fraught with contradiction. As one of the most widely studied women in history, she has been labeled both a saint and a criminal, both a pioneering feminist and an "unnatural" transvestite. This work explores the attitudes that have followed Joan of Arc for centuries, beginning with the notions of gender and authority in the 15th century during Joan's criminal trials. The book's central premise explores the interconnected social and political threads that informed the decision to canonize Joan of Arc in the nineteenth century, with extensive analysis of the many biographies that appeared during and after the canonization itself. Depictions of her as a leader contradict those that cast her as an obedient child. Dolgin traces the prevalent portrayals of Joan as a cultural icon for disparate social and political agendas. A unique focus on the role of women's clothing and the feminine image prevails throughout the book, with special attention to the portrayals of Joan of Arc and women in paintings, war posters, theater productions, and films during the early 20th century. |
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Страница 123
... tell you that you could understand ? " 20 Even in her most desperate hour , Joan of Arc retained her commonsense under- standing of human motivation . While it is a cynical remark , it serves a purpose at the pinnacle of drama : it ...
... tell you that you could understand ? " 20 Even in her most desperate hour , Joan of Arc retained her commonsense under- standing of human motivation . While it is a cynical remark , it serves a purpose at the pinnacle of drama : it ...
Страница 161
... tell them anything else , and that anything she would say would only be due to her fear of the fire . 19 Weeks later , Joan of Arc abjured , believing that she would then be freed . Once she understood that her reward would be life ...
... tell them anything else , and that anything she would say would only be due to her fear of the fire . 19 Weeks later , Joan of Arc abjured , believing that she would then be freed . Once she understood that her reward would be life ...
Страница 177
... tell them no more because there is nothing more they would understand we realize that she had the audacity to tell a truth that was inconceivable to authority figures who believed to the point of hubris - that they should be her judges ...
... tell them no more because there is nothing more they would understand we realize that she had the audacity to tell a truth that was inconceivable to authority figures who believed to the point of hubris - that they should be her judges ...
Съдържание
The Pattern in Pieces | 7 |
The Historical Joan | 25 |
The Canonization Era in Context | 43 |
Авторско право | |
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Често срещани думи и фрази
actions actress American Anderson Anouilh Antigone appearance Arc's attitude audience became behavior believed biography Brecht canonization Cauchon chapter character Church clothing Condemnation context costume cultural Dauphin Despite dress Dunois Eliza emphasized English Epilogue female feminine feminism feminist figure film France French gender girl Hellman Higgins historical ideal image of Joan individual issues Jeanne Joan Dark Joan of Arc Joan of Lorraine Joan's Joan's story Lady Lark legend Lillian Hellman Maid Maid of Orléans Major Barbara male Mauler medieval Michelet modern moral Mother Jones National nineteenth century Orléans play political portrait posters power structure Pygmalion question Rachel recognized representations of Joan role Sackville-West Saint Joan Sarah Bernhardt scene Schiller's Shaw Shaw's Siege of Orléans social soldier speech sphere spirit status Stockyards style suffrage tableaux vivants theater theatrical tion trans transvestism trial University Press Victorian visual Vita Sackville-West Voices Warner Wollstonecraft woman Woolf workers York