Modernizing Joan of Arc: Conceptions, Costumes, and CanonizationMcFarland, Incorporated, Publishers, 2008 - 199 страници Historical opinions regarding Joan of Arc are fraught with contradiction. As one of the most widely studied women in history, she has been labeled both a saint and a criminal, both a pioneering feminist and an "unnatural" transvestite. This work explores the attitudes that have followed Joan of Arc for centuries, beginning with the notions of gender and authority in the 15th century during Joan's criminal trials. The book's central premise explores the interconnected social and political threads that informed the decision to canonize Joan of Arc in the nineteenth century, with extensive analysis of the many biographies that appeared during and after the canonization itself. Depictions of her as a leader contradict those that cast her as an obedient child. Dolgin traces the prevalent portrayals of Joan as a cultural icon for disparate social and political agendas. A unique focus on the role of women's clothing and the feminine image prevails throughout the book, with special attention to the portrayals of Joan of Arc and women in paintings, war posters, theater productions, and films during the early 20th century. |
Между кориците на книгата
Резултати 1 - 3 от 45.
Страница 47
... nineteenth- century lady's bare shoulders from public view . Joan's confrontation with the power structure , considered outrageous behavior in her lifetime , was transformed into pious zeal : presumption became ingenuousness ...
... nineteenth- century lady's bare shoulders from public view . Joan's confrontation with the power structure , considered outrageous behavior in her lifetime , was transformed into pious zeal : presumption became ingenuousness ...
Страница 83
... nineteenth and early twentieth centuries could choose Joan's costumes as part of her iconographic representation , and the lack of dispute surrounding the clothing of " The Maid " suggests that the actions of Joan far outweighed her ...
... nineteenth and early twentieth centuries could choose Joan's costumes as part of her iconographic representation , and the lack of dispute surrounding the clothing of " The Maid " suggests that the actions of Joan far outweighed her ...
Страница 91
... nineteenth cen- tury was as a prototype for women crusaders . No longer willing to remain background " window dressing , " women from middle- and upper - class backgrounds began to step forward and address audiences from the mid - ...
... nineteenth cen- tury was as a prototype for women crusaders . No longer willing to remain background " window dressing , " women from middle- and upper - class backgrounds began to step forward and address audiences from the mid - ...
Съдържание
The Pattern in Pieces | 7 |
The Historical Joan | 25 |
The Canonization Era in Context | 43 |
Авторско право | |
8 други раздела не са показани
Често срещани думи и фрази
actions actress American Anderson Anouilh Antigone appearance Arc's attitude audience became behavior believed biography Brecht canonization Cauchon chapter character Church clothing Condemnation context costume cultural Dauphin Despite dress Dunois Eliza emphasized English Epilogue female feminine feminism feminist figure film France French gender girl Hellman Higgins historical ideal image of Joan individual issues Jeanne Joan Dark Joan of Arc Joan of Lorraine Joan's Joan's story Lady Lark legend Lillian Hellman Maid Maid of Orléans Major Barbara male Mauler medieval Michelet modern moral Mother Jones National nineteenth century Orléans play political portrait posters power structure Pygmalion question Rachel recognized representations of Joan role Sackville-West Saint Joan Sarah Bernhardt scene Schiller's Shaw Shaw's Siege of Orléans social soldier speech sphere spirit status Stockyards style suffrage tableaux vivants theater theatrical tion trans transvestism trial University Press Victorian visual Vita Sackville-West Voices Warner Wollstonecraft woman Woolf workers York