Elements of Criticism, Том 1John Bell and William Creech; and for T. Cadell, G. G. J. and J. Robinson, London, 1788 |
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Страница 24
... fimilar . These obfervations , by the way , furnish materials for inftituting a comparison between the synthetic and analytic methods of reafoning : the fynthetic method , defcending regularly from principles to their confequences , is ...
... fimilar . These obfervations , by the way , furnish materials for inftituting a comparison between the synthetic and analytic methods of reafoning : the fynthetic method , defcending regularly from principles to their confequences , is ...
Страница 78
... may be generated by another , without change of object . It in general is obfervable , that a paffion paves the way to others fimilar in their tone , whether directed to the fame or to their 78 EMOTIONS AND PASSIONS . Ch . II .
... may be generated by another , without change of object . It in general is obfervable , that a paffion paves the way to others fimilar in their tone , whether directed to the fame or to their 78 EMOTIONS AND PASSIONS . Ch . II .
Страница 79
... fimilar tone , than when cool and quiefcent . It is a common obfervation , that pity generally produceth friendship for a perfon in distress . One reafon is , that pity in- terests us in its object , and recommends all its virtuous ...
... fimilar tone , than when cool and quiefcent . It is a common obfervation , that pity generally produceth friendship for a perfon in distress . One reafon is , that pity in- terests us in its object , and recommends all its virtuous ...
Страница 83
... fimilar to anger and when : a man is thus beforehand disposed to anger , he is not nice nor fcrupulous about an object ; the person who gave the ftroke , however acciden- tally , is by an inflammable temper held a pro- per object ...
... fimilar to anger and when : a man is thus beforehand disposed to anger , he is not nice nor fcrupulous about an object ; the person who gave the ftroke , however acciden- tally , is by an inflammable temper held a pro- per object ...
Страница 90
... fimilar to what a real fpectator hath . As many rules of criticifm depend on ideal . presence , the reader , it is hoped , will take fome pains to form an exact notion of it , as pains 90 EMOTIONS AND PASSIONS . Ch . Ila.
... fimilar to what a real fpectator hath . As many rules of criticifm depend on ideal . presence , the reader , it is hoped , will take fome pains to form an exact notion of it , as pains 90 EMOTIONS AND PASSIONS . Ch . Ila.
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftances colour connection courfe courſe cuftom defcribing defire degree deſcription difagreeable dignity diſcover diſtinguiſh diſtreſs effect elevation eſpecially exiſtence expreffed expreffion external figns faid fame feeling fenfe fenfible fentiments fhall fhould fight fimilar final caufe fingle fingular fion firſt focial fome fometimes fpectator ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath himſelf impreffion inftances itſelf ject laſt lefs leſs meaſure mind moft moſt motion mufic muft muſt nature neceffary obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant emotion pleaſure prefent produce produceth propriety puniſhment purpoſe raiſed reafon reflection refpect reliſh reſemblance ridicule riety ſcarce ſenſe Shakeſpear ſpeaking ſtate ſtill tafte taſte thefe themſelves theſe things thofe thoſe thou tion uſe variety