American Illustrated Magazine, Том 1Crowell-Collier Publishing Company, 1876 |
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Страница 235
... Limaña first in the street , and it is not sur- prising that she produces on us a favorable impression , for She walks she is a model of grace in her movements . slowly , and puts her foot down firmly , so that the muscles of her ...
... Limaña first in the street , and it is not sur- prising that she produces on us a favorable impression , for She walks she is a model of grace in her movements . slowly , and puts her foot down firmly , so that the muscles of her ...
Страница 236
... Limaña is free to go wherever she pleases , safe from insult or criticism , however diminutive her companion . Whoever sees the Limaña in the streets , at the opera , or at evening in her own parlor , with her dark hair elaborately ...
... Limaña is free to go wherever she pleases , safe from insult or criticism , however diminutive her companion . Whoever sees the Limaña in the streets , at the opera , or at evening in her own parlor , with her dark hair elaborately ...
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Anne of Austria answered antimony arms Arnaud du Tilh artist asked Aunt beautiful began Bersaglieri Brazil called Captain Trevor carriage color countess cried dark dear door Draxy dress exclaimed eyes face father feet fell fire Gillian girl ground hair hand happy head heard heart hope horse hour Huldah India Ismaïlia Jack Elder Keturah king knew Lady Alice laughed light looked Madame Madame de Maintenon Maggie Lynn married Maud ment miles mind Miss morning Murietta never night once Orra passed poor pretty returned Rome rose seemed shawl side silence smile soon stood strange Suez Canal Teesdale tell things thought Tintoretto tion told took turned voice Wahabi walked watch wife window woman wonder words young Zilpah