Edmund Spenser possessed the abstract faculty of poetry, in a higher degree than any other poet of England. He occupies in common with three other illustrious men, the first rank of poetical fame in his country; but in the truest sense of the term poetry, he stands before all, unapproachably alone. When we wish to be removed altogether from the actual world, to take up our residence in the exclusive poetical region, to be laid in the bosom of a more quiet and more lovely nature than that of earth, we must resort to the works of Spenser. Himself a man of action, his poetry is the expression of perfect luxuriousness and relaxation; of a fairy land of volup tuous sentiment and fancy, where the pathos, that is there, does not act with tears, and the passion and strength, that are there also, influence us through a medium of visionary sublimity, and by associations of preternatural power. The controlling presence of the poetry of Spenser is a love of beauty and a sense of pleasure. We have them equally in his description of a lonely solitude, or of a scene of more than Eastern magnificence; in his picture of a withered old man in his cave, or of the wanton beauties of an enchanted lake. Spenser's imagination is inexhaustible, and his command of language the most copious and various. And though his genius is, as we have said, steeped in pleasure, all it sends forth may rank in the very first order of refinement, and moral truth. If a fault could be urged, indeed, against his great poem, it would be perhaps that its moral design is even obtrusive. IN which amazement when the miscreaunt Hee shewd him painted in a table plaine The damned ghosts, that doe in torments waile, The sight whereof so throughly him dismaid, And brought unto him swords, ropes, poison, fire, And bad him choose, what death he would desire: But, whenas none of them he saw him take, And troubled blood through his pale face was seene At last, resolv'd to work his finall smart, He lifted up his hand, that backe againe did start. Which whenas Una saw, through every vaine "Come; come away, fraile, feeble, fleshly wight, Thence passing forth, they shortly doe arryve That natures worke by art can imitate: And made there to abound with lavish affluence. Goodly it was enclosed rownd about, As well their entred guestes to keep within, Yt framed was of precious yvory, That seemd a worke of admirable witt; Her mighty charmes, her furious loving fitt; The wondred Argo, which in venturous peece First through the Euxine seas bore all the flowr of Greece. Ye might have seene the frothy billowes fry Or yvory into the waves were sent; And otherwhere the snowy substaunce sprent A piteous spectacle did represent; And otherwhiles with gold besprinkeled Yt seemd th' enchaunted flame, which did Creusa wed. All this and more might in that goodly gate Be red, that ever open stood to all Which thether came: but in the porch there sate A comely personage of stature tall, And semblaunce pleasing, more than naturall, That traveilers to him seemd to entize; His looser garment to the ground did fall, And flew about his heeles in wanton wize, They in that place him Genius did call: That lives, perteines in charge particulare, That is our selfe, whom though we do not see, Therefore a god him sage Antiquity Did wisely make, and good Agdistes call: Through guilefull semblants, which he makes us see: And Pleasures porter was devizd to bee, With divers flowres he daintily was deckt, But he his ydle curtesie defide, And overthrew his bowle disdainfully, And broke his staffe, with which he charmed semblants sly. Thus being entred, they behold arownd A large and spacious plaine, on every side Strowed with pleasauns; whose fayre grassy grownd Mantled with greene, and goodly beautifide With all the ornaments of Floraes pride, Wherewith her mother Art, as halfe in scorne Of niggard Nature, like a pompous bride Did decke her, and too lavishly adorne, When forth from virgin bowre she comes in th' early morne. |