Paganism in ShakespeareUniversity of Wisconsin--Madison, 1925 - 136 страници |
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Страница 21
... French and German people , the former carrying on the pagan , the latter the Christian phase . The Renaissance reached France in the early sixteenth century and probably reached its highest point while Spenser and Shakespeare were still ...
... French and German people , the former carrying on the pagan , the latter the Christian phase . The Renaissance reached France in the early sixteenth century and probably reached its highest point while Spenser and Shakespeare were still ...
Страница 22
... French writers . Their temperaments are paganistic in the Greek way . It is the brightness and joyousness of life that appeals to them . The members were Pierre de Ronsard , Joachim du Bellay , Remy Belleau , Jean Antoine de Baif ...
... French writers . Their temperaments are paganistic in the Greek way . It is the brightness and joyousness of life that appeals to them . The members were Pierre de Ronsard , Joachim du Bellay , Remy Belleau , Jean Antoine de Baif ...
Страница 23
... French influence on the sonnet which was imported , it is true , from Italy , but which reached England more contin- uously through French pens . The Christian Renaissance was assimilated and passed on by the Germans . It was more ...
... French influence on the sonnet which was imported , it is true , from Italy , but which reached England more contin- uously through French pens . The Christian Renaissance was assimilated and passed on by the Germans . It was more ...
Страница 24
... his study , Italian and French art and literature were his ; a new world had been discovered both in a geo graphic and scientific sense . His religious beliefs had 24 Matthew Arnold in Hebraism and Hellenism in summing up ...
... his study , Italian and French art and literature were his ; a new world had been discovered both in a geo graphic and scientific sense . His religious beliefs had 24 Matthew Arnold in Hebraism and Hellenism in summing up ...
Страница 28
... French and English of the Renaissance , we find that these are the chief characteristics : sensuous love of beauty , a many- sided point of view by which manifold contacts with life might be maintained , truthfulness in seeing life and ...
... French and English of the Renaissance , we find that these are the chief characteristics : sensuous love of beauty , a many- sided point of view by which manifold contacts with life might be maintained , truthfulness in seeing life and ...
Често срещани думи и фрази
Anglo-Saxon appeal appreciation of beauty became belief breath Brutus Cassius century character characteristic Christ Christian Renaissance Christiani ty church Crown of Wild Culture and Anarchy Cymbeline death delight doth drama earth enjoyment evil express eyes fairy Falstaff flowers freedom French fulness gods Greek and Roman Hamlet happiness heaven Hebraism and Hellenism hope human Ibid idea ideal immortality of soul influence intellectual interest Italian Italy Julius Caesar King Lear lack Lear living love of beauty Macbeth man's many-sided Matthew Arnold meditative Merchant of Venice Middle Ages moral nature night oxlips pagan Renaissance pagani sm paganistic passages perfection phase philosophy pleasure poet point of view Prospero qualities religion Renaissance in England revelation Rome Romeo and Juliet says scenes seems sense sensuous Shakes Shakespeare Shakespeare's attitude sleep sonnets spirit sweet thee things thought tions truth Venus and Adonis virtue Wild Olives worship of mankind youth
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Страница 35 - Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire, I do wander everywhere, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green.
Страница 64 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air : And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve ; And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.
Страница 38 - Romeo, and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world will be in love with night, And pay no worship to the garish Sun.
Страница 39 - There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream ; There with fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them...
Страница 58 - Ay, but to die, and go we know not where; To lie in cold obstruction and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbed ice; To be imprison'd in the viewless winds, And blown with restless violence round about The pendent world: or to be worse than worst Of those that lawless and incertain thought Imagine howling: — 'tis too horrible!
Страница 54 - The oppressor's wrong, the proud man's contumely, The pangs of dispriz'd love, the law's delay, The insolence of office, and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin?
Страница 39 - Her clothes spread wide ; And, mermaid-like, a while they bore her up : 'Which time, she chanted snatches of old tunes ; As one incapable of her own distress...
Страница 53 - With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.
Страница 54 - Cowards die many times before their deaths ; The valiant never taste of death but once. Of all the wonders that I yet have heard, It seems to me most strange that men should fear ; Seeing that death, a necessary end, Will come when it will come.
Страница 36 - How sweet the moonlight sleeps upon this bank* Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou beholds't But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls...