Walks in London, Том 2Daldy, 1878 |
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Страница 28
... faces much alike ) , probably at a tomb - fragments of a standard in the Certosa at Pavia . 751. Giovanni Santi , the ... face - the noblest in the picture — is full of playful affection : on the left are St. Sebastian and St. Paul , on ...
... faces much alike ) , probably at a tomb - fragments of a standard in the Certosa at Pavia . 751. Giovanni Santi , the ... face - the noblest in the picture — is full of playful affection : on the left are St. Sebastian and St. Paul , on ...
Страница 29
... face which says , " Ecce Agnus Dei , ecce qui tollit peccata mundi . " On the inner side of his scroll is the artist's signature - " Andreas Mantinia , C.P.F. " Nothing can exceed the exquisite finish of the plants and stones in the ...
... face which says , " Ecce Agnus Dei , ecce qui tollit peccata mundi . " On the inner side of his scroll is the artist's signature - " Andreas Mantinia , C.P.F. " Nothing can exceed the exquisite finish of the plants and stones in the ...
Страница 31
... face . " - Dr . Waagen . 46 Those who may not perfectly understand what artists and critics mean when they dwell with rapture on Correggio's wonderful chiaro - oscuro should look well into this picture ; they will perceive that in the ...
... face . " - Dr . Waagen . 46 Those who may not perfectly understand what artists and critics mean when they dwell with rapture on Correggio's wonderful chiaro - oscuro should look well into this picture ; they will perceive that in the ...
Страница 32
... face in deep shadow . St. John Baptist leans against St. Anne and watches the Holy Child , his scroll and staff thrown on the ground . 287. Bartolommeo Veneziano . Portrait of Lodovico Martinengo ( 1530 ) , in the picturesque costume of ...
... face in deep shadow . St. John Baptist leans against St. Anne and watches the Holy Child , his scroll and staff thrown on the ground . 287. Bartolommeo Veneziano . Portrait of Lodovico Martinengo ( 1530 ) , in the picturesque costume of ...
Страница 35
... face , the picture is almost entirely painted in black , brown , and grey . 297. Girolamo Romani of Brescia , called П Romanino , 1480- 1560. The Nativity . On the left are St. Alessandro , martyr of Brescia , and St. Filippo Benizzi ...
... face , the picture is almost entirely painted in black , brown , and grey . 297. Girolamo Romani of Brescia , called П Romanino , 1480- 1560. The Nativity . On the left are St. Alessandro , martyr of Brescia , and St. Filippo Benizzi ...
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Страница 291 - Mighty victor, mighty lord ! Low on his funeral couch he lies ! No pitying heart, no eye, afford A tear to grace his obsequies.
Страница 243 - Life is a jest, and all things show it, I thought so once, and now I know it.
Страница 231 - Proud names, who once the reins of empire held; In arms who triumph'd, or in arts excell'd; Chiefs, graced with scars, and prodigal of blood, Stern patriots who for sacred freedom stood; Just men, by whom impartial laws were given, And saints who taught, and led the way to Heaven.
Страница 241 - The rest to some faint meaning make pretence, But Shadwell never deviates into sense.
Страница 473 - And now, behold, the hand of the Lord is upon thee, and thou shalt be blind, not seeing the sun for a season. And immediately there fell on him a mist and a darkness ; and he went about seeking some to lead him by the hand.
Страница 314 - For ever tomb'd beneath the stone, Where — taming thought to human pride ! — The mighty chiefs sleep side by side. Drop upon Fox's grave the tear, 'Twill trickle to his rival's bier ; O'er PiTT'S the mournful requiem sound, And Fox's shall the notes rebound.
Страница 391 - EARTH has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will:...
Страница 129 - Dryden may be properly considered as the father of English criticism ; as the writer who first taught us to determine upon principles the merit of composition. Of our former poets, the greatest dramatist wrote without rules, conducted through life and nature by a genius that rarely misled and rarely deserted him. Of the rest, those who knew the laws of propriety had neglected to teach them.
Страница 153 - But that which is to be allowed him, and which very much contributed to cover his defects, is a daring fiery spirit that animates his translation, which is something like what one might imagine Homer himself would have writ before he arrived at years of discretion.
Страница 324 - Statesman, yet friend to Truth! of soul sincere, In action faithful, and in honour clear; Who broke no promise, served no private end, Who gained no title, and who lost no friend ; Ennobled by himself, by all approved, And praised, unenvied, by the Muse he loved.