« ПредишнаНапред »
N. B. To find any particular Book, or PAMPHLET, see
CASIMIR V. king of Poland, his fpeech to the Diet on his abdication of the crown, 168, Marries a Washerwoman, 169. CHARLES I. his enemies, confiftently enemies to Cromwel, 98.
II. ftory of, and the widow Oliver, 253. CHRIST, a concife view of the fcheme of falvation by, 116. His kingdom not eternal, 182. A ranfom for ALL, 186. CLERGY MEN'S widows, their precarious dependence, and diftreffed conditions, 127. Project for their relief, 128. COLIN and Lucy, a paftoral, 193. COMEDY, middle, its fhort duration in Athens and England, 371. COMMENTATOR, a toilfome em
ployment, 321. CONTROVERSY, religious, the difadvantages of heat and acrimony in, 206.-Conftable hath no business in, 240. CONVOYS, military, hints concerning, 62.
COURAGE, the tokens of, 203. Affectation of, how distinguished, ib.
CRITICISM, modern method of evading 29.
ANCER, humorous philofo
a female one, 351.
DANCERS, droll affociation of,
DAVID, king of Ifrael, in what
granted by the Pruffian law, 7. Dog and Cat, a fable, 70. Docs, extraordinary fpecies of, and ftory concerning, 431. DRUNKENNESS, two excellent fchemes for, 431.
defined, 413. Deduced from organic principles, 414. Advantages of studying, 416. CROMWELL, the ranking all the enemies to Charles I. as his partifans, a mistake, 96. His enthufiafin affected, 97.
racterised by Cowley, 98. His Eunhappy reign,
hypocrify infifted on, 100. His arbitrary government, 101. Comparison between, and Louis XIV. 102. CURIOSITY, how it operates,
DWARD II. reflexions on his 84.
III. fketch of the government under, 86.
-IV. characterifed,94. ELEGIAC Epifle, capable of great beauty and variety, 224.
ELISHA, the prophet, his cha-
how excited by fubli-
cenfure on the ma-
ERROR, a picture of, 460.
fcriptural expreffions, 182.
EURIPIDES, character of that
AME, envious nature of the
tion laid on theatric exhibition,
FLEET in a ftorm, management
FOOTE, his character as a mimic
couraged in England, 313. FREDERICIAN Code of Laws, its imperfections pointed out, 2. Conjugal duty enforced by it, 6.
ENIUS, its excurfions not always to be measured by critical rules, 41.
definition of, and its
GERMANY, a bleffed and happy
country, 436. Its learning,
GOD, natural definition of, 443. Love to, how it operates, io. A belief in, a strong incentive to morality, 445• Warmth of affection toward, recommended, 467.
Good and evil, moral, objects of perception, 376.
GOODNESS, fcripture motives to,
GRAVITY,how diftinguished, 200.
ENRY III. the real contest between him and his nobles, 82. A great encourager of the
to the union stated, 69. HILLARY, Dr. fome important phyfical difcoverics by, 265. Inftances of his knowledge in Arabic, 258.
HISTORY, the difference between that of kingdoms and ftates, and that of arts and fciences, 241. HORACE, criticiẩm on his neglec
IV. reflexions concerning, 87. The diffolutenefs and reformation of his fon prince Henry, 88.
VI. misfortunes of his JOAN d'Arc, hiftory of, 90. queen and fon, 92. JOSEPH Andrews, remarks on the HERMIONE, Critical difquifition plan of that novel, 490. relating to the manner of her Joy, general expreffions of, 200. cutting her hair, 409. JUGGLING, no fear of the decay HIGHLANDERS, their objections
of order in compofition, 419. HOSPITALITY, fingular kind of,
JEFFERY Hudfon, the famous
among certain Afiatics, 433. HUME, Mr. examination of his arguments against miracles, 5co. His favourable notions of the heathen mythology, 501.
APANNESE, cruel treatment of fome that were thipwrecked at Kamptichatka, 433.
Jews, cruelly plundered at the
time of Henry III. 83. Se-
ILIAD of Homer, rules of epic
poetry established from it, not
Jö, the manner of her appearance
of that art, 315.
ETEL, a Dutch painter, his
KINGS, whether elective or he
LOGIC and dancing compared,
LONDON and Paris, comparifon
MAN, his reasonable, focial, and
-, a picture of, in a state of
after God's own heart, how that phrafe is to be understood, 208.
MARRIAGE, poetical perfuafive
AGAZINES, military, the beit method of forming them, 60.
MALAGRIDA, Father, principal NATO
ATURE, the real state of,
from his life of St. Anne, 23.
NICE Lady, her character and
MELANCHOLY characterised, 201.
MODESTY, how evinced in be haviour, 201.
MONASTIC life, poetical defcription of, 359
MONK, characteristical defcription of, 461.
MORAL Instinct, the opinion of, controverted, 377.
MUSE, infant, like other infants, the better for correction, 231.
MUSE, why their origia derived from Jove, 458.