Modern Color/modern Architecture: Amédée Ozenfant and the Genealogy of Color in Modern Architecture
Ashgate, 2002 - 137 страници
Do colours have different spatial and architectural effects? What is the psychological impact of colour? Are colours endowed with symbolic meaning? What is a natural colour? These questions have a long, contentious history, especially among architects of the modern period. A key figure in that history is Amedee Ozenfant, painter, critic and friend of Le Corbusier, who in the first half of the 20th century founded a school in London where he conducted experiments and wrote about colour in architecture. Those experiments have been reconstructed for this book, which also includes reprints of his most important articles on the subject. The book provides a survey of this most contemporary topic that aims to inspire and inform designers and architects.
Какво казват хората - Напишете рецензия
Не намерихме рецензии на обичайните места.
Ozenfant Signac and purple shadows
Purism and the divorce of painting and architecture
the appearance of architecture
3 други раздела не са показани
Други издания - Преглед на всички
Academy according aesthetic appear architects architectural color Architectural Review architecture argued artists associations become blue bright buildings called century chart Chevreul color colour solidity combinations concepts construction contrast Corbusier course cultural curtains decorative described developed discussion distinction effect elements English example experience explained fact give green grey harmony hues ideas illustrated kind later laws less light living London material means method mixtures modern architecture natural neutral never noted objects observed obtain offered opposition optical original ornamental Ostwald Ozenfant Ozenfant's painters painting palette Paris perception pigments Plate polychromy possible practices precise Press primary principle produced psychology published Purist question range reference relative rules scale Science seen selection shadows showing Signac simply solidity specific standards strong surface technique theory tradition University visual walls window yellow York