Enfant Terrible!: Jerry Lewis in American FilmMurray Pomerance NYU Press, 1.11.2002 г. - 274 страници The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. |
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... relationship between Dean and Jerry in terms of its legibility as a continuing instantiation of liveness. The sense of Martin and Lewis that audiences of cabaret, television, and film had during the 1940s and 1950s, he suggests, was ...
... relationship with Dean Martin and suggests the purely performative character of screen identity. One of the important features of The Delicate Delinquent is its foregrounding of the tensions between contradictory versions of masculine ...
... relationship with Dean and Dean's rejection of him— from My Friend Irma (1949) to Hollywood or Bust (1956)—are not only the saddest and funniest he ever made but absolutely unique. To be sure, the concept of male couples joined by a ...
... relationship with Dean Martin, with their roles reversed: that is, Scorsese cast as the unattractive loser, hitherto portrayed by Jerry himself, Robert De Niro, who is of the same ethnic origin as Scorsese and Dean Martin. He then used ...
... relationship with us: My name is Axel Blackmar and I work for the Department of Fish and Game. Most people think I count fish but I don't, I look at them. I look at their souls. And read their dreams. Then I let them into my dreams ...
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3 Jerry Lewis and Social Transformations | 107 |
4 JerryBuilt | 193 |
Works Cited | 256 |
Contributors | 265 |
Index | 269 |