Enfant Terrible!: Jerry Lewis in American FilmMurray Pomerance NYU Press, 1.11.2002 г. - 274 страници The one thing everybody knows about Jerry Lewis is that he is beloved by the French, those incomprehensible hedonistic strangers across the sea. The French understand him, while in the U.S. he is at best a riddle, not one of us. Lewis is someone we take profound pleasure in excluding, if not ridiculing. |
Между кориците на книгата
Резултати 1 - 5 от 45.
... Dean Martin that lasted exactly ten years, from July 25, 1946, until July 25, 1956; many appearances on television, on the legitimate stage, on casino stages, and on the lecture circuit; and his continuing presence at the helm of the ...
... Martin and Lewis vehicles, domestication was blatantly present in the figure of the “cool” Dean Martin.) If Jerry Lewis onscreen frightens many viewers because he is so out of control, we must ask who demands this control, for whose ...
... Dean and Jerry in terms of its legibility as a continuing instantiation of liveness. The sense of Martin and Lewis that audiences of cabaret, television, and film had during the 1940s and 1950s, he suggests, was that their relationship ...
... Dean and Jerry made available to audiences of the time “a dizzying array of emotional and covertly erotic ... Martin and Lewis films such as The Stooge (1953). His screen postures and gestures are seen as grotesqueries, in some sense ...
... Dean Martin and suggests the purely performative character of screen identity. One of the important features of The Delicate Delinquent is its foregrounding of the tensions between contradictory versions of masculine identity and thus ...
Съдържание
1 | |
17 | |
41 | |
3 Jerry Lewis and Social Transformations | 107 |
4 JerryBuilt | 193 |
Works Cited | 256 |
Contributors | 265 |
Index | 269 |