Fatal Women of Romanticism

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Cambridge University Press, 12.12.2002 г. - 328 страници
Incarnations of fatal women, or femmes fatales, recur throughout the works of women writers in the Romantic period. Adriana Craciun demonstrates how portrayals of femmes fatales or fatal women played an important role in the development of Romantic women's poetic identities and informed their exploration of issues surrounding the body, sexuality and politics. Craciun covers a wide range of writers and genres from the 1790s through the 1830s. She discusses the work of well-known figures including Mary Wollstonecraft, as well as lesser-known writers like Anne Bannerman. By examining women writers' fatal women in historical, political and medical contexts, Craciun uncovers a far-ranging debate on sexual difference. She also engages with current research on the history of the body and sexuality, providing an important historical precedent for modern feminist theory's ongoing dilemma regarding the status of 'woman' as a sex.

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Съдържание

Introduction
1
Mary Lamb femme fatale
21
Mary Wollstonecraft Mary Robinson and womens strength
47
Mary Robinson and Marie Antoinette
76
Charlotte Dacres Gothic bodies
110
Anne Bannermans femmes fatales
156
Letitia Landons philosophy of decomposition
195
Notes
251
Bibliography
291
Index
319
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Информация за автора (2002)

Adriana Craciun is Lecturer in English and Director of the Centre for Byron Studies at the University of Nottingham. She is the editor of Zofloya, or the Moor (1997) and A Routledge Literary Sourcebook for Wollstonecraft's Vindication of the Rights of Woman (2002), and co-editor of Rebellious Hearts: British Women Writers and the French Revolution (2001).

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