Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the RestorationUniversity Press of Kentucky, 11.07.2014 г. - 384 страници The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries. |
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... things that alchemy “does” in a literary context? How does alchemy, a highly visual art, impart this quality to a literary medium? Do the distinctive visual forms and motifs associated with alchemy have counterparts in literary contexts ...
... things more precious, by knowledge and effect, and converting them by a naturall commixtion into a better kind. A certain other saith: Alchimy is a Science, teaching how to transforme any kind of mettall into another: and that by a ...
... things better or more abundantly by art than they are made in nature. . . . For not only can it yield wealth and very many other things for the public good, but it also teaches how to discover such things as are capable of prolonging ...
... things from the elements and of all inanimate things and of simple and composite humours, of common stones, gems, marbles, of gold and other metals, of sulphurs and salts and pigments, . . . and other things without limit, concerning ...
... thing. And as all things have proceeded from one, by the meditation of one, so all things have sprung from this one thing by adaptation.” Explicit in this passage is the idea of resemblance and analogy between the celestial and ...
Съдържание
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6 | |
Chaucer and the Medieval Heritage of Alchemical Satire | 37 |
SixteenthCentury Alchemical Satire | 62 |
Francis Bacon and Alchemy | 104 |
Ben Jonson and the Drama of Alchemy | 118 |
The Poetry of Donne and Herbert | 154 |
Alchemy Allegory and Eschatology in the Seventeenth Century | 193 |
Alchemy in the Poetry of Vaughan and Milton | 224 |
Alchemy Poetry and the Restoration Revolt against Enthusiasm | 260 |
10 Cauda Pavonis | 294 |
Notes | 298 |
344 | |
361 | |
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Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the ... Stanton J. Linden Ограничен достъп - 2021 |