Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the RestorationUniversity Press of Kentucky, 11.07.2014 г. - 384 страници The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries. |
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... Occultism. 5. Renaissance—England. I. Title. II. Series. PR428.A44L56 1996 820.9'37—dc20 96-14574 ISBN-13: 978-0-8131-1968-7 (cloth : alk. paper) ISBN-13: 978-0-8131-9212-3 (pbk. : alk. paper) This book is printed on acid-free recycled ...
... occult and hermetic thought, should also be the one in which English literature emerged from the confines of insularity and foreign domination to attain, in the reigns of Elizabeth, James I, and their successors a period of its greatest ...
... occult charlatans. For this reason, his treatment of the practitioners of alchemy and experimental science in Hudibras and “An Hermetic Philosopher” anticipates Swift's satire in Lemuel Gulliver's third voyage. This is an inductive ...
... in the alchemical and hermetic traditions, in the broader occult, magical milieu of the Renaissance and seventeenth century, and the general history of this period. Combining many of these topics, my final concern is with 4 Introduction.
... occult fields themselves; and the influence that certain writers and dominant intellectual currents may have had on alchemy's literary reflections. To conclude, my purpose is not to study alchemy as such or to provide a history of its ...
Съдържание
1 | |
6 | |
37 | |
62 | |
Francis Bacon and Alchemy | 104 |
Ben Jonson and the Drama of Alchemy | 118 |
The Poetry of Donne and Herbert | 154 |
Alchemy Allegory and Eschatology in the Seventeenth Century | 193 |
Alchemy in the Poetry of Vaughan and Milton | 224 |
Alchemy Poetry and the Restoration Revolt against Enthusiasm | 260 |
10 Cauda Pavonis | 294 |
Notes | 298 |
Bibliography | 344 |
Index | 361 |
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Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the ... Stanton J. Linden Ограничен достъп - 2021 |