Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the RestorationUniversity Press of Kentucky, 11.07.2014 г. - 384 страници The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers—including Langland, Gower, Barclay, Eramus, Sidney, Greene, Lyly, and Shakespeare—were familiar with alchemy, and references to it appear in a wide range of genres. Yet the purposes it served in literature from Chaucer through Jonson were narrowly satirical. In literature of the seventeenth century, especially in the poetry of Donne, Herbert, Vaughan, and Milton, the functions of alchemy changed. Focusing on Bacon, Donne, Herbert, Vaughan, and Milton—in addition to Jonson and Butler—Linden demonstrates the emergence of new attitudes and innovative themes, motifs, images, and ideas. The use of alchemy to suggest spiritual growth and change, purification, regeneration, and millenarian ideas reflected important new emphases in alchemical, medical, and occultist writing. This new tradition did not continue, however, and Butler's return to satire was contextualized in the antagonism of the Royal Society and religious Latitudinarians to philosophical enthusiasm and the occult. Butler, like Shadwell and Swift, expanded the range of satirical victims to include experimental scientists as well as occult charlatans. The literary uses of alchemy thus reveal the changing intellectual milieus of three centuries. |
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... Hermes Trismegistus in its written tradition; the Greek counterpart of the Egyptian god Thoth (also identified with Athothis or Imhotep), Hermes, the Roman Mercury, has an extremely rich and diverse role in alchemical theory and ...
... Harvey, Hobbesian materialism, Cartesian rationalism, the experimentalism of the Royal Society, and the correct dating of writings long attributed to Hermes Trismegistus. The collective effect of these influences. 18 Darke Hierogliphicks.
... Hermes Trismegistus. The collective effect of these influences was actually and symbolically the death of alchemy, the “medieval” science. The sulphur-mercury theory also derives from aspects of the old worldview and is the basis for ...
... Hermes Trismegistus by Alexander the Great or else “taken from the hands of the dead Hermes in a cave near Hebron, some ages after the Flood, by Sarah the wife of Abraham.” Its supposed antiquity and semidivine authorship caused it to ...
... Hermes Trismegistus—as it was traditionally conceived—on, both magical and alchemical powers were thought often to reside in the same individual. Frances Yates's remarks on the interplay of macrocosm and microcosm in Ficino's astral ...
Съдържание
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Chaucer and the Medieval Heritage of Alchemical Satire | 37 |
SixteenthCentury Alchemical Satire | 62 |
Francis Bacon and Alchemy | 104 |
Ben Jonson and the Drama of Alchemy | 118 |
The Poetry of Donne and Herbert | 154 |
Alchemy Allegory and Eschatology in the Seventeenth Century | 193 |
Alchemy in the Poetry of Vaughan and Milton | 224 |
Alchemy Poetry and the Restoration Revolt against Enthusiasm | 260 |
10 Cauda Pavonis | 294 |
Notes | 298 |
344 | |
361 | |
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Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the ... Stanton J. Linden Ограничен достъп - 2021 |