The Time is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield, 2002 - 375 страници The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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... 8 Virtues and Vices : Guilt , Good , and Evil 143 Part II : The History Plays 9 Richard II 163 10 1 , 2 , and 3 Henry VI 191 11 The Tragedy of King Richard III 253 Part III : Three Roman Plays 12 Coriolanus 281 13 vii Introduction.
... 8 Virtues and Vices : Guilt , Good , and Evil 143 Part II : The History Plays 9 Richard II 163 10 1 , 2 , and 3 Henry VI 191 11 The Tragedy of King Richard III 253 Part III : Three Roman Plays 12 Coriolanus 281 13 vii Introduction.
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Shakespeare as Philosopher of History Agnes Heller. Part III : Three Roman Plays 12 Coriolanus 281 13 Julius Caesar 311 14 Antony and Cleopatra 337 Postscript : Historical Truth and Poetic Truth 367 About the Author 375 Introduction he time ...
Shakespeare as Philosopher of History Agnes Heller. Part III : Three Roman Plays 12 Coriolanus 281 13 Julius Caesar 311 14 Antony and Cleopatra 337 Postscript : Historical Truth and Poetic Truth 367 About the Author 375 Introduction he time ...
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... Roman plays ) . Time is heimarmene for one actor , whereas it is sors bona or pronoia ( providence ) for another . Although time is not set right in the sense of being returned to its former place , “ new men " usher in new times ( as ...
... Roman plays ) . Time is heimarmene for one actor , whereas it is sors bona or pronoia ( providence ) for another . Although time is not set right in the sense of being returned to its former place , “ new men " usher in new times ( as ...
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... Roman patricians are Roman patricians , his English dukes are English dukes , his Roman plebeians are Roman plebeians , and his English rabble is English rabble . Moreover , they could have lived only at the very concrete historical ...
... Roman patricians are Roman patricians , his English dukes are English dukes , his Roman plebeians are Roman plebeians , and his English rabble is English rabble . Moreover , they could have lived only at the very concrete historical ...
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... Roman tragedies . I pro- ceed with my discussion following the actual historical sequence of the times covered in the plays , rather than in the order in which the plays were written . Although Henry VI and Richard III belong to the ...
... Roman tragedies . I pro- ceed with my discussion following the actual historical sequence of the times covered in the plays , rather than in the order in which the plays were written . Although Henry VI and Richard III belong to the ...
Съдържание
What Is Nature? What Is Natural? | 13 |
Who Am I? Dressing Up Stripping Naked | 31 |
Acting Playing Pretending Disguising | 55 |
The Absolute Strangers | 73 |
Judgment of Human Character To Betray and to Be Betrayed | 87 |
Love Sex Subversion Political Drama Family Drama | 97 |
The Sphinx Called Time | 115 |
Virtues and Vices Guilt Good and Evil | 141 |
Richard II | 161 |
1 2 and 3 Henry VI | 189 |
The Tragedy of King Richard III | 251 |
THREE ROMAN PLAYS | 277 |
Antony and Cleopatra | 335 |
Historical Truth and Poetic Truth | 333 |
About the Author | 341 |
THE HISTORY PLAYS | 159 |
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absolute stranger accusation actors already Antony and Cleopatra Antony's asks battle becomes begins believe betrayal betrayed Bolingbroke Brutus Brutus's Cassius Claudius comedies conspirators Coriolanus curses death double bind drama duchess Duke enemies Enobarbus entirely existential existential stage fact fate father forgiveness friends Gloucester grandeur guilty Hamlet happens heroes history plays Horatio Iago interpretation Julius Caesar kill kind King Henry King Lear Lady Macbeth lovers Machiavellian madness Marc Antony Margaret means Measure for Measure Merchant of Venice moral murder nature never noble Octavius Ophelia Othello passion perhaps person political Pompey Portia portrays Prince queen radical evil remains Richard role Roman says scene sense sexual Shake Shakespeare Shakespearean characters Shylock significance soliloquy soul speaks speech stage manager story subversion Suffolk Talbot theater thee thing thou throne tradition tragedy true truth turns tyrant victory virtue wants Warwick wicked women words York