INDEX Aeschylus, 10, 61, 104, 164, 165, Allegorical writing, 137-8. Arabian Nights, 9. Bacon, Francis, 42, 43, 101. Bartram's Travels, quoted, 130. Beaumont and Fletcher, 196, politics, 212. women characters, 209. Monsieur Thomas, 252, 253. The Beggar's Bush, 253. The Little French Lawyer, The Loyal Subject, 254–5. S. C. Berkeley, Bishop, 155. Bolingbroke's style, 156. Browne, Sir Thomas, 146-7, Burns, Robert, 10, 22, 104, 158. Byron, Lord, 5, 83, 117, 156–7. Cadwallader, 54. Caliban, 210 ff., 214, 215, 223, Campbell, Thomas, 5, 158. Catullus, 162. Cervantes, 148. Charles II, time of,7, 23n., 26 n. Chaucer, 62, 76-8, 135-7. Claudian, 8, 161. Coleridge, S. T., at Cam- Ancient Mariner, 9. The Friend, 22 and n. Daniel, Samuel, 64-5, 120, 121, Dante, 44, 120, 168, 190, 213, Darwin, 16. Davenant, Sir W., 99. Davies, Sir John, 1. Deborah, Song of, 179. Decameron, contrasted with Canterbury Tales, 136. De Foe, 105, 147. Desdemona, 198, 245. Dogberry, 17 n, 196, 197, 200. Donne, John, 59, 69-70, 147. Dryden, John, 4, 10, 59, 87 n, Farce, definition of, 201. Fletcher. See under Beau- Fool in Lear, 187, 242-4, 252. French critics, discrimination French Revolution, 151-2. Garve, 75, 83. Gellert, 75. Genius, 10. Ghost in Hamlet, 234. Gibbon, 163-4. Gleim, anecdote of, 112. Goneril, 206, 243. Gower, Chaucer's disciple, 136. Greek drama, 164-6, 187, 188, 147. Hamlet, 8, 195, 203, 206, 232- Hazlitt, William, 10. Helena, 195, 205. Herbert, George, 78-82. Hercules and Omphale, 108. Hermione, 217. Hero, 197. Herodotus, 104, 159, 163.. Hesiod, 138, 160. Hippolytus, 165. Historians, 162-4. L'Estrange, Sir Roger, 6, 42. Lucretius, 162. Macbeth, 200, 211, 231-2, 235. Macbeth, Lady, 231–2. Marini, 16. Marlborough, Duke of, 220. Massinger, 202, 204, 212, 246, Maid of Honour, 257. Milton, John, 4, 24, 47, 50, 61, and Shakespeare, 174, 213. not picturesque but musical, preference of Euripides and style, 6. the Deity of prescience, 203. Montaigne and Sir T. Browne, Poetry, 1-10. Poetry and prose, 4. Polonius, 195, 197, 233. Pope, 7, 10, 141, 147, 161, 189, Poussin, Nicholas, 157. Prose, definition of good, 4, 7. Psyche, the soul and the Rabelais, 145-6. Racine, 246. Rambler, The, 150. Reformation, the, 41, 190 Reviews, method of, 131. Sallust, 162. 'Scene,' meaning of the word, Schiller, 160. Scott, Sir Walter, 158, 159. Seneca, 8, 161. Seward, 253. Shaftesbury, 10. Shakespeare, William, 166- all his characters strong, and the unities', 224-5. distinction from other dra- matists, 194-9. historical plays, 218, 221, imagination, 176–7, 179, 259. laughs at mobs, 213, 224. morality, 195, 196. of no age, 190, 202. As You Like It, 198, 258. Julius Caesar, 221, 224, 230. Lear, 154, 171, 175, 180, Love's Labour's Lost, 216. Measure for Measure, 215-6. 242. Midsummer Night's Dream, Much Ado about Nothing, Othello, 171, 175, 180, 198, Rape of Lucrece, 166-80, 216. Richard II, 198, 218-20, 255. Richard III, 206. Romeo and Juliet, 37, 194, Tempest, 207-15, 228. Twelfth Night, 175, 201. Winter's Tale, 53, 217-8, Sidney, Algernon, 43, 156. Sophocles, 10, 153, 162, 164–6, South, 7. Southey, Robert, 7, 11, 12, 83, Stage, the infant, 187; in Suttons, the two, 70. Swift, Jonathan, 146, 147, 250. Tacitus, 162. |