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INDEX

Aeschylus, 10, 61, 104, 164, 165, | Berkeley, Bishop, 155.
166, 193.

Bertram, 195, 204-5.
Allegorical writing, 137-8. Bible, The, 32, 72, 148.
Ancient Mariner, The, 9. Boetius, 95, 116.
Angelo, Michel, 243.

Bolingbroke's style, 156.
Apuleius, 138.

Boswell, James, 151.
Arabian Nights, 9.

Bowles, W. L., 83, 117.
Ariel, 208 ff., 231.

Brooke, Lord, 147.
Ariosto, 169, 190.

Brown, Tom, 42.
Aristophanes, 17-18.

Browne, Sir Thomas, 146-7,
Aristotle, 33 and n, 99, 180.

224.
Asgill, 147.

Buckingham, Duke of, 10.

Bunyan, John, Pilgrim's Pro-
Bacon, Francis, 42, 43, 101.

gress, 138, 148-9.
Barbauld, Mrs., 9.

Burke, Edmund, 43, 151-2.
Barclay, The Argenis, 95. Burleigh, Lord, 143.
Barrow, 7.

Burns, Robert, 10, 22, 104, 158.
Bartram's Travels, quoted, 130. Butler, Samuel, 8, 147.
Beatrice, 197, 217.

Byron, Lord, 5, 83, 117, 156-7.
Beaumont and Fletcher, 196,

202, 204, 229, 241, 246, Cadwallader, 54.
250-6, 258.

Caliban, 210 ff., 214, 215, 223,
politics, 212.

231, 243.
women characters, 209. Campbell, Thomas, 5, 158.
Bonduca, 255.

Cassius, 230.
Monsieur Thomas, 252, 253. Catullus, 162.
Rollo, 253.

Cervantes, 148.
The Beggar's Bush, 253. Charles II, time of,7,23n., 26n.
The Little French Lawyer, Chatterton, 104.
253.

Chaucer, 62, 76-8, 135-7.
The Loyal Subject, 2545. Cicero, 6, 162.
The Mad Lover, 242.

Claudian, 8, 161.
The Night-walker, 215. Cleopatra, 246.
The Queen of Corinth, 255-6. Coleridge, S. T., at Cam-
Tro Noble Kinsmen, 253.

bridge, 18.
Beaumont, Sir George, 154. Ancient Mariner, 9. .
Behmen, 112.

Christabel, 150.
Bell, Dr., 48 n.

The Friend, 22 and n.
Benedick, 197, 217.

The Remorse, 58n,
$. c,

Collins, William, 3.
Colman's Edition of Beau-

mont and Fletcher, 254.
Congreve, wit of, 147.
Corbett, Bishop, 220.
Corneille, 246.
Cotton, 76, 150.
Cowley, Abraham, 16, 24, 70-

71, 94, 149, 156.
Crashaw, Richard, 149-50.
Cressida, 222.
Cumberland's Calvary, 105.

Farce, definition of, 201.
| Ferdinand, 210 ff., 229.

Fielding, Henry, 105, 153.
Flaxman, 231.
Fletcher. See under Beau-

mont.
Fool in Lear, 187, 242–4, 252.
Fox, C. J., 152.
French critics, discrimination

of, 183.
French Revolution, 151-2.
Friar Laurence, 229.

Daniel, Samuel, 64-5, 120, 121,

154, 202.
Dante, 44, 120, 168, 190, 213,

243.
Darwin, 16.
Davenant, Sir W., 99.
Davies, Sir John, 1.
Deborah, Song of, 179.
Decameron, contrasted with

Canterbury Tales, 136.
De Foe, 105, 147.
Desdemona, 198, 245.
Dialogue in verse, 6.
Dodsley's Collection, 70.
Dogberry, 17 n, 196, 197, 200.
Domitian, 4.
Don John, 197.
Don Quixote, 148.
Donne, John, 59, 69–70, 147.
Drayton, Michael, 79, 88 and

n, 154.
Dryden, John, 4, 10, 59, 87 n,

156, 210, 236, 247, 256.
Durer, Albert, 223.

Garve, 75, 83.
Gellert, 75.
Genius, 10.
Ghost in Hamlet, 234.
Gibbon, 163-4.
Gleim, anecdote of, 112.
Goethe, 160.
Goneril, 206, 243.
Goody Two-Shoes, 55.
Gower, Chaucer's disciple, 136.
Gravedigger in Hamlet, 200.
Gray, Thomas, 3, 50-1, 60, 74,

150.
Greek drama, 164-6, 187, 188,

191-4, 225, 230.
Greville, Fulke (Lord Brooke),

147.

Edmund, in Lear, 206–7.
Elegy, 5.
Elwes, the miser, 229.
Epictetus, 103.
Erasmus, 190.
Euripides, 164, 165, 166.

Hamlet, 8, 195, 203, 206, 232-

40, 258.
Hazlitt, William, 10.
Hecuba, 165.
Helena, 195, 205.
Herbert, George, 78-82.
Hercules and Omphale, 108.
Hermione, 217.
Hero, 197.
Herodotus, 104, 159, 163.
Hesiod, 138, 160.
Hippolytus, 165.
Historians, 162-4.
Hobbes, 26 n, 99,

Hogarth, 248.
| Hogg, James, 158.

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Homer, 10, 61, 104, 139, 163, | L'Estrange, Sir Roger, 6, 42.
190, 196, 203.

Logic, 116.
Hooker, 27, 42, 43.

Lucretius, 162.
Horace, 105.
Horatio, 239.
Hotspur, 198.

Macbeth, 200, 211, 231-2, 235.
Hudibras, 8.

Macbeth, Lady, 231-2.
Hume, David, 158.

Marathon, 159.

Marini, 16.
Iago, 206, 244-5, 251.

Marlborough, Duke of, 220.
Iliad compared with Troilus Marshal's Repository, 55.
and Cressida, 203.

Martial, 4.
Imagination, 1, 69.

Massinger, 202, 204, 212, 246,
Imagination and fancy, 23 ff., 251, 254, 256-60.
125.

politics, 212, 254.
Imogen, 209.

Maid of Honour, 257.

The Bondman, 206.
Jacobi, 112.

The Picture, 258.
Johnson, Samuel, 7, 150, 151, 1 Unnatural Combat, 206.
159.

Very Woman, 206.
Dictionary, 87 n.

Virgin Martyr, 206.
Johnston, Miss, and Swift, Mendelssohn, 74n.
146.

Mercutio, 228.
Jonson, Ben, 202, 247-50, 251, Metastasio, 95, 198.
253-4.

Metre, 52 ff.
Alchemist, 248, 253.

Milton, John, 4, 24, 47, 50, 61,
Hieronymo, 207.

74, 83, 88 n, 100, 106, 125,
Poetaster, 249--50.

134, 139, 140, 141-5, 203,
Silent Woman, 248.

204, 246, 255.
Volpone, 249.

and Shakespeare, 174, 213.
Juliet, 227.

definition of poetry, 145.
Junius, 7.

egotism, 145.
Juvenal, 134.

not picturesque but musical,

142.
Kant, 74 n.

preference of Euripides and
Katherine, Queen, 209.

Ovid, 165.
Klopstock, The Messiah, 105. style, 6.
Kotzebue, 196.

the Deity of prescience, 203.

Paradise Lost, 142 ff., 204.
Laertes, 195, 233.

Samson Agonistes, 259-60.
Lamb, Charles, 10, 65, 157, Minucius Felix, quoted, 155.

Miranda, 208 ff., 229.
Lancaster, Joseph, 48 n. Molière's Miser, 229.
Landor, W. S., 156.

Montaigne and Sir T. Browne,
Lear, King, 198, 203, 240-4.

146.
Leonatus, 245.

Moore, Thomas, 5, 83, 117,
Leontes, 217, 245.

More, Dr. Henry, 32.
Lessing, 112, 160,

Mortimer, 198.

159.

Newton, 64.

| Richardson, 153.
North, Roger, 7.

Robertson, 158.
Nurse in Romeo and Juliet, I Romeo, 227 ff.

37, 227-8.

Ode, 5.
, Oedipus, 230.

Oedipus Coloneus, 165.
Oedipus Tyrannus, 153.
Ophelia, 195, 198, 233, 240.
Osrick, 237.
Othello, 200, 202, 244-5, 251.
Otway, 24.
Ovid, 158, 165.

Parodies, 8.
Perdita, 53.
Petrarch, 62.
Pierce Plouman, 55.
Pilgrim's Progress, 138, 148-9.
Pindar, 70-1, 72, 104, 161.
Pitt, William, 152.
Plato, 6, 121.
Plautus, his Miser, 229.
Plotinus, 161.
Poetical Filter, 5.
Poetry, 1-10.
Poetry and prose, 4.
Polixenes, 53.
Polonius, 195, 197, 233.
Pope, 7, 10, 141, 147, 161, 189,

209, 256.
Poussin, Nicholas, 157.
Prose, definition of good, 4,7.
Prospero, 208 ff.
Prudentius, 138.
Psyche, the soul and the

butterfly, 19 and n.

Sallust, 162.
"Scene,' meaning of the word,

87 n.
Schiller, 160.
Scotchmen, 158,
Scott, Sir Walter, 158, 159.
Selden, 154.
Seneca, 8, 161.
Seward, 253.
Shaftesbury, 10.
Shakespeare, William, 166-

247 passim.
all his characters strong,

196.
‘aloofness', 169.
and the unities', 224-5.
as poet generally, 174-80.
choice of subjects, 167-9.
clowns, 17 n, 187, 199, 242.
compared with Ben Jonson,

247 ; with Schiller, 160.
depth and energy of thought,

173–4.
distinction from other dra-

matists, 194–9.
historical plays, 218, 221,

246.
imagery, 169–72.
imagination, 176–7, 179, 259.
intellectual action, 202.
judgement, 180–7, 192, 220,

234, 241,
laughs at mobs, 213, 224.
lyrical passages, 198.
metre, 256.
morality, 195, 196.

myriad-minded', 166, 216.
never treats of avarice, 229.
not a lusus naturae, 181-7,

199-200.
of no age, 190, 202.
on jealousy, 217, 244-5.
patriotism, 219,

Rabelais, 145-6.
Racine, 246.
Rambler, The, 150.
Reformation, the, 41, 190
Regan, 206, 243.
Reid, 158.
Reviews, method of, 131.
Richard II, 220.
Richard IIÍ, 206,

.

permanence of his charac- || Othello, 171, 175, 180, 198,
ters, 230.

200, 203, 217, 244-5, 246,
picturesque power, 213-4. 251.
plots, 197.

Pericles, 221.
poetic power analysed, 166 Rape of Lucrece, 166-80,
74.

216.
politics, 212-3, 224, 254. Richard II, 198, 218-20,
priests, 229.

255.
rhythm, 204.

Richard III, 206.
sneerers, 203.

Romeo and Juliet, 37, 194,
songs, 198.

224–30, 246, 250.
style, 6.

Sonnets, 171.
superiority, 204.

Tempest, 207-15, 228.
the Spinozistic Deity, 203. Timon of Athens, 221.
versification, 167.

Titus Andronicus, 221.
villains, 203, 207.

Troilus and Cressida, 203,
wedded love, 204.

220–4.
witches, 160, 231.

Twelfth Night, 175, 201.
women, 209.

Two Noble Kinsmen, 253.
All's Well that Ends Well, Venus and Adonis, 166-80,
204-5.

216.
Antony and Cleopatra, 245– Winter's Tale, 53, 217-8,

245.
As You Like It, 198, 258. Sheridan, R. B., 147.
Comedy of Errors, 201, 216. Shylock, 198.
Coriolanus, 221, 224.

Sidney, Algernon, 43, 156.
Cymbeline, 218, 221, 245. Sidonius Apollinaris, 116.
Hamlet, 8, 180, 195, 200, 203, Simpson, 253.
218, 232-40, 246.

Smollett, 158.
Henry IV, 175, 198, 218. Sophocles, 10, 153, 162, 164-6,
Henry VIII, 44.

180, 191.
Julius Caesar, 221, 224, 230. South, 7.
King John, 219.

Southey, Robert, 7, 11, 12, 83,
Lear, 154, 171, 175, 180, 111-8.

187, 194, 198, 203, 206, Spanish stage, 254.
218, 221, 240–4, 246, 250, | Spenser, Edmund, 21, 62-3,75,
252.

137-41, 143, 245.
Love's Labour's Lost, 216. Spinoza, 112, 155.
Macbeth, 44, 200, 211, 218, | Stage, the infant, 187; in

231-2, 235, 238, 240, 246, Shakespeare's time, 194.
250.

Sterne, Laurence, 56, 154.
Measure for Measure, 215-6. Stewart, Dugald, 158.
Merchant of Venice, 198, Style, 6–8.
242.

Suttons, the two, 70.
Midsummer Night's Dream, Swift, Jonathan, 146, 147, 250,
198.

Swiss, the, 33.
Much Ado about Nothing,
197.

| Tacitus, 162.

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