Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 8
... verse . Some prose may approach towards verse , as oratory , and therefore a more studied exhibition of the media may be proper ; and some verse may border more on mere narrative , and there the style should be simpler . But the great ...
... verse . Some prose may approach towards verse , as oratory , and therefore a more studied exhibition of the media may be proper ; and some verse may border more on mere narrative , and there the style should be simpler . But the great ...
Страница 66
... verse , - ( if it does not indeed claim for the latter a yet nearer resemblance to the average style of men in the ... verse , or as having even been intended for verse , by simply transcribing them as prose ; when if the poem be in ...
... verse , - ( if it does not indeed claim for the latter a yet nearer resemblance to the average style of men in the ... verse , or as having even been intended for verse , by simply transcribing them as prose ; when if the poem be in ...
Страница 160
... verse is bad . He moves in it as a fly in a glue - bottle . His thoughts have their connexion and variety , it is true , but there is no sufficiently corresponding movement in the verse . How different from Shakespeare's endless rhythms ...
... verse is bad . He moves in it as a fly in a glue - bottle . His thoughts have their connexion and variety , it is true , but there is no sufficiently corresponding movement in the verse . How different from Shakespeare's endless rhythms ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings