Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница xiv
... true of his criticism on Wordsworth . It is true , with a difference , of his criticism on Shake- speare , which comes next to the other both in amount and in value . But here we are at an in- cidental disadvantage ; we do not possess ...
... true of his criticism on Wordsworth . It is true , with a difference , of his criticism on Shake- speare , which comes next to the other both in amount and in value . But here we are at an in- cidental disadvantage ; we do not possess ...
Страница 164
... true ; all is scenical , and as it were , exhibited by candlelight . And then to call it a History of the Decline and Fall of the Roman Empire ! Was there ever a greater misnomer ? I protest I do not remember a single philosophical ...
... true ; all is scenical , and as it were , exhibited by candlelight . And then to call it a History of the Decline and Fall of the Roman Empire ! Was there ever a greater misnomer ? I protest I do not remember a single philosophical ...
Страница 184
... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true in human nature itself , and independent of all circum- stances ; but in the mode of applying it he will estimate ...
... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true in human nature itself , and independent of all circum- stances ; but in the mode of applying it he will estimate ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings