Coleridge's Literary Criticism |
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Страница xiv
To discern its boundaries , to discriminate the false from the true in it , is a task
which itself demands a trained faculty and a sound judgement . And this demand
, which is made on us when we study Coleridge ' s literary criticism , is just one of
...
To discern its boundaries , to discriminate the false from the true in it , is a task
which itself demands a trained faculty and a sound judgement . And this demand
, which is made on us when we study Coleridge ' s literary criticism , is just one of
...
Страница 164
164 ANCIENT HISTORIANS : GIBBON nothing is real , vivid , true ; all is scenical ,
and as it were , exhibited by candlelight . And then to call it a History of the
Decline and Fall of the Roman Empire ! . Was there ever a greater misnomer ?
164 ANCIENT HISTORIANS : GIBBON nothing is real , vivid , true ; all is scenical ,
and as it were , exhibited by candlelight . And then to call it a History of the
Decline and Fall of the Roman Empire ! . Was there ever a greater misnomer ?
Страница 184
And let me remark that this will not tend to produce despotism , but , on the
contrary , true tolerance , in the critic . He will , indeed , require , as the spirit and
substance of a work , something true in human nature itself , and independent of
all ...
And let me remark that this will not tend to produce despotism , but , on the
contrary , true tolerance , in the critic . He will , indeed , require , as the spirit and
substance of a work , something true in human nature itself , and independent of
all ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living look manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason rest result scene seems sense Shakespeare speak spirit stanza style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings