Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 26
... sense . Common sense , therefore , differs in different ages . What was born and christened in the schools passes by degrees into the world at large , and becomes the property of the market and the tea - table . At least I can dis ...
... sense . Common sense , therefore , differs in different ages . What was born and christened in the schools passes by degrees into the world at large , and becomes the property of the market and the tea - table . At least I can dis ...
Страница 48
... sense of the term , it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose , than is expected to distinguish prose from ordinary conversation . There are not ...
... sense of the term , it might be naturally presumed that there must exist a still greater between the ordonnance of poetic composition and that of prose , than is expected to distinguish prose from ordinary conversation . There are not ...
Страница 113
... sense or sight Of day or the warm light , A place of thought where we in waiting lie . Surely , it cannot be that this wonder - rousing apostrophe is but a comment on the little poem , ' We are seven ' ? that the whole meaning of the ...
... sense or sight Of day or the warm light , A place of thought where we in waiting lie . Surely , it cannot be that this wonder - rousing apostrophe is but a comment on the little poem , ' We are seven ' ? that the whole meaning of the ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings