Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 67
Samuel Taylor Coleridge John William Mackail. cause or reason but that of the author's convenience ; but if it be in rhyme , by the mere exchange of the final word of each line for some ... reason but that of the author's convenience; ...
Samuel Taylor Coleridge John William Mackail. cause or reason but that of the author's convenience ; but if it be in rhyme , by the mere exchange of the final word of each line for some ... reason but that of the author's convenience; ...
Страница 148
... reason are so powerful as to make him disregard the evidence of sense when it opposed their conclusions . Sancho is the common sense of the social man - animal , un- enlightened and unsanctified by the reason . You see how he reverences ...
... reason are so powerful as to make him disregard the evidence of sense when it opposed their conclusions . Sancho is the common sense of the social man - animal , un- enlightened and unsanctified by the reason . You see how he reverences ...
Страница 183
... reason , nothing appears rational , becoming , or beautiful to them , but what coincides with the peculiarities of their education . In this narrow circle , individuals may attain to exquisite discrimina- tion , as the French critics ...
... reason , nothing appears rational , becoming , or beautiful to them , but what coincides with the peculiarities of their education . In this narrow circle , individuals may attain to exquisite discrimina- tion , as the French critics ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings