Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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... prose authors and prose writings . These include some of Coleridge's best known and most brilliant sayings . In prose , as much as in poetry , he read largely , and seldom read with- out making some comment on the effect produced by the ...
... prose authors and prose writings . These include some of Coleridge's best known and most brilliant sayings . In prose , as much as in poetry , he read largely , and seldom read with- out making some comment on the effect produced by the ...
Страница 50
... prose , but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose , when prose is well written . The truth of this assertion might be demonstrated by innumerable passages ...
... prose , but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose , when prose is well written . The truth of this assertion might be demonstrated by innumerable passages ...
Страница 51
... prose an order of words , which would be equally proper in a poem ; nor whether there are not beautiful lines and sen- tences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ...
... prose an order of words , which would be equally proper in a poem ; nor whether there are not beautiful lines and sen- tences of frequent occurrence in good poems , which would be equally becoming as well as beautiful in good prose ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings