Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 6
... presents everything as lost and gone , or absent and future . The elegy is the exact opposite of the Homeric epic , in ... present things as actually existing and visible , although associated with the past , or coloured highly by the ...
... presents everything as lost and gone , or absent and future . The elegy is the exact opposite of the Homeric epic , in ... present things as actually existing and visible , although associated with the past , or coloured highly by the ...
Страница 52
... present volition should throughout the metrical lan- guage be proportionately discernible . Now these two conditions must be reconciled and co - present . There must be not only a partnership , but a union ; an interpenetration of ...
... present volition should throughout the metrical lan- guage be proportionately discernible . Now these two conditions must be reconciled and co - present . There must be not only a partnership , but a union ; an interpenetration of ...
Страница 116
... presents itself as an old acquaintance under new names . On some future occasion , more especially demanding such disquisition , I shall attempt to prove the close connexion between veracity and habits of mental accuracy ; the ...
... presents itself as an old acquaintance under new names . On some future occasion , more especially demanding such disquisition , I shall attempt to prove the close connexion between veracity and habits of mental accuracy ; the ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings