Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 29
... possible , that with these principles others may have been blended , which are not equally evident ; and some which are unsteady and subvertible from the narrowness or imperfection of their basis . But it is more than possible , that ...
... possible , that with these principles others may have been blended , which are not equally evident ; and some which are unsteady and subvertible from the narrowness or imperfection of their basis . But it is more than possible , that ...
Страница 113
... possible for children ; even had they not been in the habit , as all Christian children are , of hearing the latter term used to express the former . But if the child's belief be only , that he is not dead , but sleepeth ' ; wherein ...
... possible for children ; even had they not been in the habit , as all Christian children are , of hearing the latter term used to express the former . But if the child's belief be only , that he is not dead , but sleepeth ' ; wherein ...
Страница 115
... possible , and barely possible , to attain that ultimatum which I have ventured to propose as the infallible test of a blame- less style ; its untranslatableness in words of the same language without injury to the meaning . Be it ...
... possible , and barely possible , to attain that ultimatum which I have ventured to propose as the infallible test of a blame- less style ; its untranslatableness in words of the same language without injury to the meaning . Be it ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings