Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 104
... poetic language ; in situations which ensure familiarity with the grandest objects of the imagination ; but one BURNS , among the shepherds of Scotland , and not a single poet of humble life among those of English lakes and mountains ...
... poetic language ; in situations which ensure familiarity with the grandest objects of the imagination ; but one BURNS , among the shepherds of Scotland , and not a single poet of humble life among those of English lakes and mountains ...
Страница 166
... poetic power , as distinguished from general talent determined to poetic composition by accidental motives , by an act of the will , rather than by the inspiration of a genial and productive nature . In this investigation , I could not ...
... poetic power , as distinguished from general talent determined to poetic composition by accidental motives , by an act of the will , rather than by the inspiration of a genial and productive nature . In this investigation , I could not ...
Страница 167
... poetic reputation for a natural poetic genius ; the love of the arbitrary end for a possession of the peculiar means . But the sense of musical- delight , with the power of producing it , is a gift of imagination ; and this together ...
... poetic reputation for a natural poetic genius ; the love of the arbitrary end for a possession of the peculiar means . But the sense of musical- delight , with the power of producing it , is a gift of imagination ; and this together ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings