Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 3
... pleasure when only generally and not perfectly understood . It was so by me with Gray's Bard and Collins ' Odes . The Bard once intoxicated me , and now I read it without pleasure . From this cause it is that what I call metaphysical ...
... pleasure when only generally and not perfectly understood . It was so by me with Gray's Bard and Collins ' Odes . The Bard once intoxicated me , and now I read it without pleasure . From this cause it is that what I call metaphysical ...
Страница 103
... pleasure . Now till the blessed time shall come , when truth itself shall be pleasure , and both shall be so united , as to be distinguishable in words only , not in feeling , it will remain the poet's office to proceed upon that state ...
... pleasure . Now till the blessed time shall come , when truth itself shall be pleasure , and both shall be so united , as to be distinguishable in words only , not in feeling , it will remain the poet's office to proceed upon that state ...
Страница 109
... pleasure fills , And dances with the daffodils . Vol . i , p . * 320 . The second instance is from vol . ii , p . 12 , where the poet , having gone out for a day's tour of pleasure , meets early in the morning with a knot of gypsies ...
... pleasure fills , And dances with the daffodils . Vol . i , p . * 320 . The second instance is from vol . ii , p . 12 , where the poet , having gone out for a day's tour of pleasure , meets early in the morning with a knot of gypsies ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings