Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 206
... play . Massinger is always entertaining ; his plays have the interest of novels . But , like most of his contemporaries , except Shakespeare , Massinger often deals in exaggerated passion . Malefort senior , in the Unnatural Combat ...
... play . Massinger is always entertaining ; his plays have the interest of novels . But , like most of his contemporaries , except Shakespeare , Massinger often deals in exaggerated passion . Malefort senior , in the Unnatural Combat ...
Страница 216
... plays . What he wrote in that play is of his earliest manner , having the all - pervading sweetness which he never lost , and that extreme condensation which makes the couplets fall into epigrams , as in the Venus and Adonis , and Rape ...
... plays . What he wrote in that play is of his earliest manner , having the all - pervading sweetness which he never lost , and that extreme condensation which makes the couplets fall into epigrams , as in the Venus and Adonis , and Rape ...
Страница 240
... play stated as a thing already determined in all its particulars , previously to the trial of professions , as the relative rewards of which the daughters were to be made to consider their several portions . The strange , yet by no ...
... play stated as a thing already determined in all its particulars , previously to the trial of professions , as the relative rewards of which the daughters were to be made to consider their several portions . The strange , yet by no ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings