Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница xv
... perhaps , therefore , a little ungracious to emphasize . It was natural , one may even say it was inevitable , to exaggerate where the task was that of breaking down an inveterate tradi- tion . But that very exaggeration helped to ...
... perhaps , therefore , a little ungracious to emphasize . It was natural , one may even say it was inevitable , to exaggerate where the task was that of breaking down an inveterate tradi- tion . But that very exaggeration helped to ...
Страница 75
... perhaps greater than the philosopher is ready to admit , or would find it in his power to acquire : the talent to seek only the apt expression of the thought , and yet to find at the same time with it the rhyme and the metre . Gellert ...
... perhaps greater than the philosopher is ready to admit , or would find it in his power to acquire : the talent to seek only the apt expression of the thought , and yet to find at the same time with it the rhyme and the metre . Gellert ...
Страница 112
... perhaps , that am doing that ' , i . e . , raining ! and J. answered , or perhaps I ' ; Gleim contented himself with staring at them both , without asking for any explanation . 6 So with regard to this passage . In what sense can the ...
... perhaps , that am doing that ' , i . e . , raining ! and J. answered , or perhaps I ' ; Gleim contented himself with staring at them both , without asking for any explanation . 6 So with regard to this passage . In what sense can the ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings