Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 165
... never rises to the sublime simplicity of Aeschylus -simplicity of design , I mean - nor diffuses himself in the passionate outpourings of Euripides . I under- stand why the ancients called Euripides the most tragic of their dramatists ...
... never rises to the sublime simplicity of Aeschylus -simplicity of design , I mean - nor diffuses himself in the passionate outpourings of Euripides . I under- stand why the ancients called Euripides the most tragic of their dramatists ...
Страница 167
... never be a genuine poet . Imagery ( even taken from nature , much more when transplanted from books , as travels , voyages , and works of natural history ) ; affecting incidents ; just thoughts ; interesting per- sonal or domestic ...
... never be a genuine poet . Imagery ( even taken from nature , much more when transplanted from books , as travels , voyages , and works of natural history ) ; affecting incidents ; just thoughts ; interesting per- sonal or domestic ...
Страница 192
... never dropped , as we should say ; and change of place being there- fore , in general , impossible , the absurd notion of condemning it merely as improbable in itself was never entertained by any one . If we can believe ourselves at ...
... never dropped , as we should say ; and change of place being there- fore , in general , impossible , the absurd notion of condemning it merely as improbable in itself was never entertained by any one . If we can believe ourselves at ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings