Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
Между кориците на книгата
Резултати 1 - 3 от 52.
Страница 26
... mere recollection , that compulsion and obligation conveyed two ideas perfectly disparate , and that what appertained to the one had been falsely transferred to the other by a mere confusion of terms . then from the kind to deduce the ...
... mere recollection , that compulsion and obligation conveyed two ideas perfectly disparate , and that what appertained to the one had been falsely transferred to the other by a mere confusion of terms . then from the kind to deduce the ...
Страница 227
... mere name for the yearning of his youthful imagination , and rushing into his passion for Juliet . Rosaline was a mere creation of his fancy ; and we should remark the boastful positiveness of Romeo in a love of his own making , which ...
... mere name for the yearning of his youthful imagination , and rushing into his passion for Juliet . Rosaline was a mere creation of his fancy ; and we should remark the boastful positiveness of Romeo in a love of his own making , which ...
Страница 250
... mere aggregations without unity ; in the Shakespearian drama there is a vitality which grows and evolves itself from within , a key note which guides and controls the harmonies throughout . What is Lear ? -It is storm and tempest - the ...
... mere aggregations without unity ; in the Shakespearian drama there is a vitality which grows and evolves itself from within , a key note which guides and controls the harmonies throughout . What is Lear ? -It is storm and tempest - the ...
Други издания - Преглед на всички
Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings