Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 60
... least , attempted to win or compel it by argumentative analysis . In my conception at least , the lines rejected as of no value do , with the exception of the two first , differ as much and as little from the language of common life ...
... least , attempted to win or compel it by argumentative analysis . In my conception at least , the lines rejected as of no value do , with the exception of the two first , differ as much and as little from the language of common life ...
Страница 92
... least attractive associations ; are as little the real characteristics of his poetry at large , as of his genius and the con- stitution of his mind . In a comparatively small number of poems he chose to try an experiment ; and this ...
... least attractive associations ; are as little the real characteristics of his poetry at large , as of his genius and the con- stitution of his mind . In a comparatively small number of poems he chose to try an experiment ; and this ...
Страница 135
... least touch of sickly melan- choly or morbid drooping ! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakespeare and Chaucer ; but what the first effects by a strong act of imagination and ...
... least touch of sickly melan- choly or morbid drooping ! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakespeare and Chaucer ; but what the first effects by a strong act of imagination and ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings