Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 4
... kind , though the kind must needs be of inferior worth ; I say , may be ; for I cannot recollect any one instance in which I have a right to suppose it . But , surely , to have an exclusive pleasure in poetry , not being yourself a poet ...
... kind , though the kind must needs be of inferior worth ; I say , may be ; for I cannot recollect any one instance in which I have a right to suppose it . But , surely , to have an exclusive pleasure in poetry , not being yourself a poet ...
Страница 26
... kind ; while it is my object to investigate the seminal principle , and ( whether in or out of the mind ) for a knowledge of the fact , and having discovered the difference , remove the equivocation either by the substitution of a new ...
... kind ; while it is my object to investigate the seminal principle , and ( whether in or out of the mind ) for a knowledge of the fact , and having discovered the difference , remove the equivocation either by the substitution of a new ...
Страница 251
... kind than Beaumont and Fletcher ; the former in the story and affecting incidents ; the latter in the exhibition of manners and peculiarities , whims in language , and vanities of appearance . There is , however , a diversity of the ...
... kind than Beaumont and Fletcher ; the former in the story and affecting incidents ; the latter in the exhibition of manners and peculiarities , whims in language , and vanities of appearance . There is , however , a diversity of the ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings