Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
Между кориците на книгата
Резултати 1 - 3 от 26.
Страница 197
... interest on the plot . The interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more . Hence arises the true justification of the same ...
... interest on the plot . The interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more . Hence arises the true justification of the same ...
Страница 208
... interest which is intended to spring from within . The romance opens with a busy scene admirably appropriate to the kind of drama , and giving , as it were , the key - note to the whole harmony . It pre- pares and initiates the ...
... interest which is intended to spring from within . The romance opens with a busy scene admirably appropriate to the kind of drama , and giving , as it were , the key - note to the whole harmony . It pre- pares and initiates the ...
Страница 249
... interest in a tale , in which there is no goodness of heart in any of the prominent characters . After the third act , this play becomes not a dead , but a painful , weight on the feelings . Zeluco is an instance of the same truth ...
... interest in a tale , in which there is no goodness of heart in any of the prominent characters . After the third act , this play becomes not a dead , but a painful , weight on the feelings . Zeluco is an instance of the same truth ...
Други издания - Преглед на всички
Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings