Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 17
... imitations of Mr. Wordsworth's style , that at once to conceal and convey wit and wisdom in the sem- blance of folly ... imitation , existing here merely in caricature , detracts from the libeller's heart , without adding an iota to the ...
... imitations of Mr. Wordsworth's style , that at once to conceal and convey wit and wisdom in the sem- blance of folly ... imitation , existing here merely in caricature , detracts from the libeller's heart , without adding an iota to the ...
Страница 30
... imitation of the rude unpolished manners and discourse of their inferiors . For the pleasure so derived may be traced to three exciting causes . The first is the naturalness , in fact , of the things represented . The second is the ...
... imitation of the rude unpolished manners and discourse of their inferiors . For the pleasure so derived may be traced to three exciting causes . The first is the naturalness , in fact , of the things represented . The second is the ...
Страница 181
... imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain man at once to escape his reader's indignation by general swoln panegyrics , and ...
... imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain man at once to escape his reader's indignation by general swoln panegyrics , and ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings