Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 124
... Imagination and Passion , the alien object to which it had been so abruptly diverted , no longer an alien but an ally and an inmate . Suck , little babe , oh suck again ! It cools my blood ; it cools my brain . Thy lips , I feel them ...
... Imagination and Passion , the alien object to which it had been so abruptly diverted , no longer an alien but an ally and an inmate . Suck , little babe , oh suck again ! It cools my blood ; it cools my brain . Thy lips , I feel them ...
Страница 140
... imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have ; the boldest effort of his powers in this way is the character of Talus . Add to this a feminine tenderness and almost maidenly purity ...
... imaginative fancy , but he has not imagination , in kind or degree , as Shakespeare and Milton have ; the boldest effort of his powers in this way is the character of Talus . Add to this a feminine tenderness and almost maidenly purity ...
Страница 149
... imagination should be written in very plain language ; the more purely imaginative they are the more necessary it is to be plain . CRASHAW .T . T. May 31 , 1830 . Crashaw seems in his poems to have given the first ebullience of his ...
... imagination should be written in very plain language ; the more purely imaginative they are the more necessary it is to be plain . CRASHAW .T . T. May 31 , 1830 . Crashaw seems in his poems to have given the first ebullience of his ...
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action admirable Aeschylus ancient appear attempt attention beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanzas strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings